Assessments - 4, GPA: 3.8
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Top jack for high Input, and bottom jack for low input. NORMAL 3. VOLUME control This determines the sensitivity of the preamp section in the NORMAL channel. Depending on where this is set, you can either blend in more gain by turning it clockwise or you can turn it anticlockwise for a cleaner sound. The NORMAL volume can be used in conjunction with the MASTER volume which will allow you to get the perfect balance between distortion and overall volume. I.e. if you keep the NORMAL volume low and the MASTER volume high, you will get a clean sound at a high volume. Conversely, if you keep the NORMAL volume high and the MASTER volume low you will get more distortion at a lower overall volume. TOP BOOST NOTE! The tone controls on the TOP BOOST channel are very interactive, eg increasing the level of the TREBLE control will cut the BASS level. It is best to begin with the Tone controls at 12 o’clock and experiment to find your perfect tone. 4. VOLUME control This determines the sensitivity of the preamp section in the TOP BOOST channel. Depending on where this is set, you can either blend in more gain by turning it clockwise or you can set it lower for a cleaner, “chimey” sound. The TOP BOOST Volume can be used in conjunction with the MASTER volume which will allow you to get the perfect balance between distortion and overall volume. I.e. If you keep the TOP BOOST volume low and the MASTER volume high, you will get a clean sound at a high volume. Conversely, if you keep the TOP BOOST volume high and the MASTER volume low you will get more distortion at a lower overall volume. 5. TREBLE control This controls the high frequencies in your sound—from soft and round when turned down (counterclockwise) to bright and cutting when cranked (clockwise) and all points in-between. 6. BASS control This controls the low frequencies in your sound—from thin and light when turned down (counterclockwise) to warm and heavy when turned up full (clockwise) and all points in-between. 1 2 4 3 5 6 9 8 10 7 11 13 12 14 REVERB REVERB 7. TONE control This controls the high and low frequencies of the REVERB. You can make the REVERB sound brighter by turning this control clockwise or you can make the sound darker by turning it counterclockwise. Experiment with this control to see which settings work best for you. 8. LEVEL control This controls the mix (amount) of REVERB in your sound. Turning this knob fully clockwise will give you a wet, saturated sound while counterclockwise will give you a drier sound. TREMOLO This section allows you to control the TREMOLO for both channels on this amplifier by adjusting the Speed and Depth. You can remotely switch the TREMOLO on or off with the Optional VFS2A Foot Switch. 9. SPEED control As you might have guessed, this controls the SPEED of the built-in TREMOLO. 10. DEPTH control This controls the DEPTH (intensity) of the built-in TREMOLO. What is TREMOLO? Tremolo is a Vintage Guitar Amplifier effect that hails from the Brit invasion during the 60’s. Essentially it’s like having someone sat next to your amplifier turning the master volume up and down! Having the Depth Control set to maximum will give a very dramatic effect, making your guitar sounding very choppy, you can adjust how quickly the volume is turned up and down with the speed control. Best thing to do is experiment to find your perfect sound. MASTER 11. TONE CUT control This circuit is placed in the power amp as opposed to the preamp section like the TREBLE and BASS controls. What this does is the opposite of what you may think. Turning it clockwise will decrease the higher frequencies and turning it counterclockwise will add higher frequencies. 12. VOLUME control This controls the overall (MASTER) VOLUME of your amplifier. Cleaner sounds can be achieved by lowering the NORMAL or TOP BOOST volumes and raising the MASTER. Setting the MASTER lower and the NORMAL and TOP BOOST volumes higher will give you a fatter, more distorted tone at a lower volume. As with all the controls of this amplifier, please experiment with different configurations to find the tones that fit your playing style. POWER 13. STANDBY Switch This switch allows the amplifier to attain the correct working temperature before applying the H.T. supply. Before connecting the amplifier to the Mains supply, ensure the Power and STANDBY switches are in the off position. Turn on the POWER switch first and then wait 2–3 minutes before turning on the STANDBY switch. Doing this each time you play helps prolong tube life. The STANDBY switch is also very useful for playing live as it allows you to keep the valves at a functional temperature between sets. 14. POWER Switch This is the ON/OFF switch for the power to the amplifier. Please ensure the amplifier is switched off and unplugged before being moved. AC15C1 FRONT PANEL LAYOUT 12345879610111213 POWER 1. POWER Switch This is the ON/OFF switch for the power to the amplifier. Please ensure the amplifier is switched off and unplugged bef...
Este manual também é adequado para os modelos :Instrumentos musicais - AC30C2 (2.34 mb)
Instrumentos musicais - AC30C2X (2.34 mb)