Assessments - 4, GPA: 5
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These sixteen filters are arranged in pairs (a pair for each channel). Table 6-1 shows how the frequencies adjusted by "FORMANT SHIFT" and "CUTOFF" correspond to the frequencies of the sixteen filters. 7. FC MOD — VOCODER These parameters select the modulation source that will vary the cutoff frequency of the carrier band-pass filter (the synthesis filter), and specify the depth of the modulation. For example if you set the modulation source "SOURCE" (knob 1) to AMP EG (A.EG) and use "INTENSITY" (knob 2) to adjust the depth of the effect, the AMP EG will produce tonal changes. SOURCE [AMP EG, LFO 1, LFO 2, Velocity, KBD Track, Pitch Bend, MOD.Wheel] Selects the modulation source that will be applied to the carrier band- pass filter "CUTOFF." For example if you select AMP EG ( ), the Amp EG will be the modulation source. AMP EG ( ): AMP EG LFO 1 ( ): LFO 1 LFO 2 ( ): LFO 2 Velocity ( ): Velocity (keyboard playing strength) KBD Track ( ): Keyboard tracking (keyboard position) Pitch Bend ( ): PITCH wheel MOD.Wheel ( ): MOD wheel INTENSITY [-63...63] Specifies the depth of the modulation that is applied to the carrier band-pass filter "CUTOFF." 8. AMP — VOCODER These parameters adjust the volume. "LEVEL" (knob 1) specifies the volume of the internal sound source (OSC 1, NOISE) for the carrier. "KBD TRACK" (knob 4) specifies how keyboard tracking will affect the volume, and "DISTORTION" (knob 3) specifies whether the sound will be distorted. The "DIRECT LEVEL" (knob 2) specifies the output volume level of the sound that is input from AUDIO IN 1. LEVEL [0...127] DIRECT LEVEL [0...127] DISTORTION [OFF, ON] Specifies the volume level of the in-Specifies the volume level of the au-Specifies whether distortion will be ternal tone generator (OSC1, dio that is output directly from applied to the OSC 1, NOISE, and NOISE) for the carrier. AUDIO IN 1. AUDIO IN 2 signal. OFF ( ): Distortion is off ON ( ): Distortion is on 9. AMP EG — SYNTH/VOCODER KBD TRACK [-63...63] Specifies how keyboard tracking will affect the volume. With positive (+) settings, the volume will increase as you play above the note C4 on the keyboard, and will decrease as you play below C4. With negative (-) settings, the volume will decrease as you play above C4 on the keyboard, and will increase as you play below C4. Keyboard Track operates according to the pitch that is controlled by pitch bend and the "TRANSPOSE" setting. It is not affected by pitch changes produced by vibrato or Virtual Patch. The "9. AMP EG" parameters are the same as for a synth program (.p.28). They specify the shape of the AMP EG, which creates time-variant change in the volume of the internal carrier sound source (OSC 1, NOISE). Virtual Patches are not available when using vocoder programs. 10. LFO 1, 11. LFO 2 — SYNTH/VOCODER The "10. LFO1" and "11. LFO2" parameters are the same as for a synth program (.p.29). Cyclic change produced by the LFO can apply modulation to the internal carrier sound source (OSC 1, NOISE). Virtual Patches are not available when using vocoder programs. 12. CH LEVEL A, 13. CH LEVEL B — VOCODER These parameters set the level for each of the eight band-pass filter channels (SYNTHESIS FILTER) of the carrier (.p.35). This lets you adjust the output level of the internal carrier sound source (OSC 1, NOISE). If desired, you can initialize (127) the level of all band-pass filter channels in a single step. (.p.60) CH 1 LEVEL [0...127] CH 2 LEVEL [0...127] CH 3 LEVEL [0...127] CH 4 LEVEL [0...127] CH 5 LEVEL [0...127] CH 6 LEVEL [0...127] CH 7 LEVEL [0...127] CH 8 LEVEL [0...127] These parameters set the output level for each of the eight band-pass filter channels of the carrier. 14. CH PAN A, 15. CH PAN B — VOCODER These parameters set the pan for each of the eight band-pass filter channels (SYNTHESIS FILTER) of the carrier (.p.35). This lets you adjust the stereo position of the internal carrier sound source (OSC 1, NOISE). If desired, you can initialize (center) the pan of all band-pass filter channels in a single step. (.p.60) CH 1 PAN [L63...Center...R63] CH 2 PAN [L63...Center...R63] CH 3 PAN [L63...Center...R63] CH 4 PAN [L63...Center...R63] CH 5 PAN [L63...Center...R63] CH 6 PAN [L63...Center...R63] CH 7 PAN [L63...Center...R63] CH 8 PAN [L63...Center...R63] These parameters set the pan for each of the eight band-pass filter channels of the carrier. L63 ( ) is far left, Center ( ) is center, and R63 ( ) is far right. Editing the effects and EQ Editing the effects and EQ The microKORG's effect structure aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa0 Overview The output from the amp section of a synth program or vocoder program is sent to the modulation effect (MOD FX) . delay effect (DELAY FX) .equalizer (EQ). (.p.15 Figure 0-1, ›p.31 Figure v0-1) You can edit the modulation type effect and the delay effect to create the desired sound in the same way as when editing the filter or amp parameters. You can use effects to modify the sound in a variety of ways. Then...