Assessments - 2, GPA: 4
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Facilidade de uso
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. BEFORE USING THIS APPLIANCE. READ BACK COVER FOR FURTHER WARNINGS. IMPACT*5 UNITY “ SERIES FEATURES Classic body design 25V2" scale 22 18% nickel silver frets 12" fingerboard radius Ebony fingerboard One distortion class Alnico humbucking pickup Two high output single coil pickups (hum-cancelling when used in pairs) Three individual pickup selector mini switches (two position off/on for single coils, three-position single coil off/on dual coil for humbucker) One volume control One tone control Black chrome hardware KAHLER^* Floyd Rose Lie. Double Locking Tremolo System Unity1“ Integrated neck thru-body construction CONTROLS: 1. Volume Control: The volume control acts as a master volume in that it controlsthe total signal level delivered from all 3 pickups to the output jacks. Rotating the control control knob clockwise will increase volume; rotating counterclockwise will reduce volume. 2. Tone Control: The tone control, like the volume control, acts as a master control. Rotating clockwise will result in a brightertonality (more treble). Rotating counterclockwise will result in less treble and a “bassier” type sound. 3. Pickup Selector Switches: There are three independent selector switches (one for each pickup); neck single coil, on-off; middle single coil, on-off. Bridge humbucking; humbucking-off single coil. Pickups can be used individually or in any combination (see diagram). Pickup Adjustment: The volume level between pickups can be adjusted by raising or lowering each pickup with its height adjusting screws. Raising the pickups closer to the strings will increase the output and volume. Lowering the pickups away from the strings will decrease output and volume. NOTE: CARE MUST BE TAKEN TO MAINTAIN ADEQUATE CLEARANCE BETWEEN THE PICKUPS AND STRINGS. INADEQUATE CLEARANCE WILL RESULT IN LOSS OF SUSTAIN AND POSSIBLE STRING BUZZING WHEN PLAYING ON THE UPPER FRETS. Adjustments: Your instrument has been carefully adjusted for accurate intonation and playing ease at the Peavey factory. However, your playing style or playing requirements may necessitate additional adjustments at some time in the future. These adjustments should be made by your Peavey Dealer. However, with a little care and by adhering closely to the following instructions, you may attempt these adjustments yourself. CAUTION: PLEASE READ AND UNDERSTAND INSTRUCTIONS THOROUGHLY BEFORE ATTEMPTING ANY ADJUSTMENTS. Adjusting Torsion Rod: All guitar necks must have a slight amount of bow to keep the strings from buzzing on the frets. To set the “straightness'1 of the neck, a Peavey torsion rod wrench (No. 75031001) must be used (available from a Peavey Accessory Center). 1. Tune the instrument to standard (A-440) pitch. 2. Fret the sixth string (E) at the first and last frets. 3. Check for clearance between the string and the eighth fret. 4. Clearance should be no less than .012" and no more than .025". 5. To increase clearance, loosen (counterclockwise) the torsion rod nut. Less clearance (straightening of the neck) is accomplished by tightening the nut. CAUTION: IT IS NOT USUALLY NECESSARY TO ROTATE THE TORSION ROD NUT MORE THAN ONE FULL TURN IN EITHER DIRECTION. ONE-QUARTER TO ONE-HALF TURN IS NORMALLY SUFFICIENT TO MAKE MOST ADJUSTMENTS. EXCESSIVE ROTATION MAY CAUSE DAMAGE TO NECK AND TORSION ROD. IF EXCESSIVE FORCE IS NECESSARY TO ROTATE TORSION ROD NUT, YOU SHOULD CONSULT YOUR PEAVEY DEALER OR THE FACTORY BEFORE ANY FURTHER ADJUSTMENT IS MADE. 6. Repeat steps 1 through 5 until proper clearance has been reached. NOTE: STRING HEIGHT SHOULD BE ADJUSTED TO FIT YOUR OWN PARTICULAR PLAYING STYLE. IT SHOULD BE NOTED THAT SETTING THE STRING HEIGHT TOO LOW WILL RESULT IN EXCESSIVE STRING BUZZ AND RATTLE, ESPECIALLY WITH A “HEAVY” PLAYING TECHNIQUE. EXCESSIVELY HIGH ACTION WILL RESULT IN INTONATION PROBLEMS AND DECREASED PLAYABILITY. Saddle Height Adjustment: All saddle height and intonation adjustments must be made prior to tightening string lock. Reler to enclosed Kahler® tremolo literature package. String Intonation: Accurate string intonation settings ensure that your instrument will play in tune at any point on the neck. Although "perfect intonation" is a physical impossibility with a fretted instrument, the correct setlings will maximize the accuracy of individual notes up and down the neck. Intonation is set by comparing the pilch of an open string to the pitch of the same string when it is played one octave higher at the 12th fret. The actual "vibrating length" of that string is varied until the notes are both at the right pitch.The "vibrating length" of the string is altered by adjusting the bridge saddle either forward or backward, depending on whether the fretted note is sharper or flatter in pitch than the open note. If the fretted note issharperthan the open note, the vibrating length of the string must be increased: move the b'idge saddle to the rear away fro...