Assessments - 2, GPA: 4.5
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Tip = “+,” ring = “–,” and sleeve = shield. 3. INSERT: A signal processor may be connected here by means of a shielded stereo signal cable or shielded “Y” cord. (See page 8.) Ring = send, tip = return, and sleeve = ground. 4. PEAK/SIGNAL LED: This LED will illuminate green when a signal is present at the High or Low Z inputs. When the signal nears clipping, the LED will illuminate red. (See Gain control, #5.) 5. GAIN: Use this control to set the input signal level for the channel. Adjust this control so the peak LED (#4) flashes on strong signal peaks. 6. HIGH: Use this control to adjust the high frequency level for the channel. This control allows for 15dB of cut or boost at 10kHz. Typical equalization diagrams are shown on page 7. 7. MID: Use this control to adjust the midrange frequency level for the channel. This control allows for 15dB of cut or boost at 2kHz. Typical equalization diagrams are shown on page 7. 8. LOW: Use this control to adjust the low frequency level for the channel. This control allows for 15dB of cut or boost at 100Hz. Typical equalization diagrams are shown on page 7. 9. AUX 1, AUX 2: Use these controls to set the channel’s output signal level at the aux 1 and aux 2 send jacks (#17, page 5). These are pre-EQ, pre-fader, and are typically used as monitor sends. Examples of some typical connection methods are shown on pages 8–13. 10.AUX 3, AUX 4: Use these controls to set the channel’s output signal level at the aux 3 and aux 4 send jacks (#17, page 5). These are post-EQ, post-fader, and are typically used as effects loop sends. Examples of some typical connection methods are shown on pages 8–13. 11. PAN: Use these controls to set the amount of the channel’s output signal sent to the left and right master faders (#30, page 6) and the left and right balanced output jacks (#15, page 5). 12.MUTE: This switch, when depressed, mutes the channel’s output signal sent to the left, right and mix master faders (#30, 31, page 6). 13.PFL: This switch, when depressed, sends the channel’s post-EQ, pre-fader signal to the headphones jack (#28, page 6) and the PFL output jack (#18, page 5). 14.FADER: Use this control to set the channel‘s signal level output sent to the left, right and mix master faders (#31, 32, page 6) and the aux 3 and aux 4 send jacks (#17, page 5). 5 The Master Section: 15 16 18 17 20 22 25 26 24 27 28 29 30 31 32 23 21 19 15. LEFT, RIGHT AND MIX BALANCED OUTPUTS: Use these jacks to send the mixer’s output signal(s) to the house power amplifier(s) (see pages 9–13). For the XLR jacks, pin 2 = “+,” pin 3 = “–,” and pin 1 = shield. For the 1/4” jacks, tip = “+,” ring = “–,” and sleeve = shield. 16. TAPE IN/TAPE OUT JACKS: Use these jacks to connect to the record and playback jacks of a cassette tape deck. Because the tape in jacks are fed directly into the left and right master faders, use the tape deck’s output level control or an in-line attenuator to adjust the level of the playback signal. 17. AUX SEND JACKS: Use these jacks to send the aux signals to your monitor amps and/or external effects. Aux 1 and 2 are sends only, while aux 3 and 4 can be used as an effects loop along with the aux 3 and 4 return jacks (#19). (See pages 8–13). The mix for each aux send jack is set by the channel aux controls (#9, 10). The master aux 1 fader (#30, page 6) sets the overall signal output level for the aux 1 jack, while the aux 2, 3 and 4 send controls (#24, page 6) set the overall signal output level for the aux 2, 3 and 4 jacks. 18. PFL OUTPUT JACK: Use this jack to send the channel’s PFL signal outputs to a studio monitor power amp/speaker or to a headphone distribution box for additional monitoring capabilities. 19. AUX RETURN JACKS: Use these jacks to return the processed signal from an external effect into the master mix. These jacks are stereo 1/4” connectors – ring = right, tip = left, sleeve = shield. 20. POWER: This switch applies the power to the mixer. The mixer is on when the top of the switch is depressed, off when the bottom of the switch is depressed. The adjacent LED illuminates when the power is on. 21: OUTPUT LED METERS/PEAK INDICATORS: These LED meters monitor the output signals sent to the balanced output jacks (#15). The meter selector switch (#22) determines whether the meters monitor the left and right output signals or the aux 1 and mix output signals. When the LEDs illuminate into the upper red areas, the signals are near clipping and may need to be reduced to avoid distortion. 22: METER SELECTOR SWITCH: When the switch is in the out position, the LED meters (#21) monitor the left and right output signals. When the switch is depressed, the LED meters monitor the aux 1 and mix output signals. CSM8/12/16/24 Console Mixer (continued...–––––>) 6 CSM8/12/16/24 Console Mixer The Master Section (continued): 15 16 18 17 20 22 25 26 24 27 28 29 30 31 32 23 21 19 23: PHANTOM POWER: This switch, when depressed, applies 48 volts DC to pins 2 and 3 of the each channel’s low Z inp...
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