Assessments - 5, GPA: 4
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The one labeled "Mid Frequency" selects the center frequency from a range of 100 Hz to 7kHz, while the one labeled "Mid" adjusts the amount of boost or cut at that selected center frequency. It allows for boosting or cutting by ±15dB. Low EQ The Low EQ circuit has a fixed center frequency of 80 Hz and allows for boosting or cutting by H5dB. Aux Bus Send Controls Two knobs provide the Aux Sends, and they are switchable as a pair by the 1-2/3^ switch above the two knobs labeled Aux 1/3 and Aux 2/4 on each Input Channel. Note: This switch has nothing to do with pre/post selection. The four Aux Sends come wired for pre- and post-fader use. This may be changed by moving internal jumper positions for each Send control. Here is the standard MX-5200 Auxiliary Bus configuration: • Aux 1/3 routes the post-EQ/post-fader signal to Auxiliary Buses 1 or 3. • Aux 2/4 routes the pre-EQ/pre-fader signal to Auxiliary Buses 2 or 4. Internal jumpers (to be added or changed only by an Authorized Fender Service Center) allow this configuration to be changed to the following: • Post-EQ/post-fader or post-EQ/pre-fader on all Aux Sends (1 through 4). • Pre- or post-fader on all Aux Sends (1 through 4). In addition, when the channel Mute switch is engaged, the post-EQ/post-fader signal is muted, but the pre-EQ/pre-fader signal is not. This allows signals to be sent to effects even as a channel's level (fader) is being decreased; this is useful, for example, when you want to create the illusion of increasing distance, by increasing reverb while decreasing the direct signal. It also allows a channel to be "cued" in the PFL solo system, even if the channel is muted. Stage Monitor Send Section The two Stage Monitor send controls for each Input Channel allow for selection of pre- or post-fader sends for onstage monitoring. The level of the signal being sent to each monitor bus can be separately adjusted by the two send controls (Monitor 1 and Monitor 2). Both sends can be selected pre- or post-fader by a single switch. Here is the standard configuration for the monitor sends: • Pre-EQ/pre-fader or post-EQ/post-fader to Monitor 1 and Monitor 2, switch-selectable. Internal jumpers (to be added or changed only by an Authorized Fender Service Center) allow this configuration to be changed to the following: • Post-EQ/pre-fader or post-EQ/post fader signal to Monitor 1 and Monitor 2. Note: Changing the internal jumper positions must be performed by a qualified service technician. Consult your Fender Electronics dealer for details. © Submaster/Fader Bus Assignment Section After the signal has been processed by the Input Channel's mic preamp, EQ, and fader, it is sent to the Pan control, which adjusts the position of the signal on each pair of buses that are selected by the assignment switches (like a motion picture camera pans from left to right). When they're pressed, the assignment switches route the stereo output of the pan pot in the following manner: Switch Grouping Main Main L and Main R Sub 1-2 Submaster 1 and 2 Sub 3-4 Submaster 3 and 4 Any combination of the three switches can be selected, providing up to three stereo pairings or six individual bus routings. Solo/Mute Section Each channel has a Solo switch and a Mute switch, enabling you to audition only that channel (Solo) and to turn the channel off to reduce noise or to block unwanted audio sources from entering the mix (Mute). The Solo and Mute switches are accompanied by LEDs that indicate when the channel's Solo or Mute function is active. Mute Switch When the Mute switch on an Input Channel is pressed, signal from that Input Channel is turned off—or muted—to the Main, Submaster, Auxiliary, and Monitor Buses (if post-fader is selected). If the Enable Stereo In Place Solo button is switched in, a channel is soloed, and then if the Mute button on that channel is pressed, the signal to the Solo Buses will also be muted. Pressing the Mute switch causes the red Mute LED to glow, showing that the channel has been turned off. Solo Switch The Solo button on each Input Channel operates in two different ways, depending on the Enable Stereo In Place Solo button in the Master section. Note that the Enable Stereo In Place Solo button's setting (in or out) has no effect on anything in the MX-5200 until a Solo button is pressed. Note, too, that Soloing on the MX-5200 is non-destructive; that is, soloed signals are sent only to the meters and to the Control Room and Headphone outputs, leaving all other console outputs unaffected. PFL Solo Mode When the Enable Stereo In Place Solo button is in its "out" position (disabled) and the Input Channel's Solo button is pressed, the pre-fader/post-EQ signal (pre-fader listen, or PFL) is routed in mono to both the left and right control room and headphone outputs. Simultaneously, the left meter monitors its level. A PFL Solo is extremely handy for troubleshooting in live P.A. settings (it's sometimes referred to as a cue...
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