Assessments - 2, GPA: 5
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OUT) The output jacks of the post fader (post equalizer) signals of each channel. These can be used for sends to the effect unit. 39. AUX OUT JACKS (AUX OUT 1, 2, 3, 4) Output jacks of the AUX buss 1 ~ 4. Used for sending the mixed signal of the AUX 1 ~ 4 send (8) to the digital reverb. 6 40. GROUP OUT JACKS (GROUP OUT 1, 2, 3, 4) Output jacks of the GROUP buss 1 ~ 4 which are normally used for sends to the multltrack recorder. 41. GROUP IN JACKS (GROUP IN 1, 2, 3, 4) Input jacks of the GROUP buss 1 ~ 4. Normally, effects returns and outputs of other mixers are plugged in here and used for mixing into the GROUP buss. 42. 2 TRACK IN JACKS (2 TRK IN 1 ~ 2) Master recorder outputs are normally connected here. Playback of the master tape can be simply monitored by selecting the 2 TRK IN SOLO button 1 ~ 2 (25). 43. STEREO OUT JACK (STEREO OUT 1 ~ 2) Output jacks of the STEREO buss. These are normally used for sends to the master recorder. Although signals via the STEREO master fader (22) will be sent both to 1 (RCA pin jacks) and 2 (stereo phone jacks), their rated output levels will be -10dBV at 1 (RCA pin jacks) and + 2dBV (+ 4dBs) at 2 (stereo phone jacks), and either level can be chosen for your particular application. The polarity of 2 (stereo phone) is L for the TIP and R for the RING. 44. STEREO IN JACK (STEREO IN) Input jacks of the STEREO buss. These jacks are used to connect the stereo outputs of another mixer or effects returns for mixing into the STEREO buss. 45. MONITOR OUT JACKS (MON OUT 1 ~ 2) The signal selected by the MONITOR selector (26) is output here via the MONITOR level knob (28). If at least one PFL button (15) or SOLO button is pressed, the PFL buss output signal (the signal passing through the PFL/SOLO level knob (30)) will be the output here via the MONITOR level knob (28). 1. IMPEDANCE Input and output impedances should always be considered when connecting this unit to other equipment. Impedance is the resistance value against alternating currents such as sound signals and the unit of measurement is Q (Ohm). If the output impedance of a given unit does not match the input impedance of the other, sound distortion or even equipment breakdown could occur. In general, the rule is that output impedance should be low (low out) and input impedance should be high (high receive). Refer to SPECIFICATIONS in page 19 for input/output impedance of this unit. NOTE: Always use a Direct Box when interconnecting outputs indicated in watts, (W) such as that of a power amplifier, with a high impedance input. If this precaution is not followed, severe damage may result. In this function, only one of either 1 (RCA pin jack) or 2 (stereo phone jack) will be effective (Refer to MONITOR OUT selector (27)). The polarity of 2 (stereo phone) is L for the TIP and R for the RING. 46. CUE OUT JACK (CUE OUT) The output jacks of the CUE buss. The mixed signal of the SUB MIX sections (3), (4) can be this output via the CUE master level knob (31). This mix is a convenient monitor/cue for the musicians. 47. HEADPHONE JACK (PHONES) The same source at MONITOR OUT jacks 1 — 2 is the output here. 48. PREFADER LISTEN/SOLO INDICATING LED (PFL/SOLO) This will be lit when at least one of the PFL button (15), SOLO buttons (16), (19), (24), or (25) is pressed. While this LED is lit, the PFL buss output signal will be sent to the MONITOR OUT jacks 1 ~ 2 (45) and the PHONES jack (47), and the mixed signal of the PFL buss will be indicated on the L, R sections of the meter (32). 49. POWER LED (POWER) This is lit when power is applied to the POWER supply connector (50). 50. POWER SUPPLY CONNECTOR (POWER) * NOTE 1: THE TAPE TRIMMER This trimmer is for matching the input level of this units’ TAPE IN jack (36) with a recorder whose output level is other than -10dBV. Although its variable range is - 16dBV ~ + 20dBV, it is adjusted to — 10dBV at leaving the plant and Fbstex multitrack recorders such as Model E-16, E-8 and 80 can be connected without any adjusting. EXTERNAL EQUIPMENT 2. LEVEL MATCHING WITH EXTERNAL EQUIPMENT Matching the level of the external equipment connected to the INPUT jacks (33) and (34) of this unit is done by the TRIM (1) controls. Adjust so that the PEAK LED (6) does not frequently flash on the signal peaks. As noise and distortion is the least in the range of 0 ± 5 (dB) of the INPUT faders (17), it is recommended to preset them within this range, then adjust the level with TRIM (1). During this operation, if the PFL button (15) and INPUT SOLO button (16) are pressed in advance, the prefader and post-fader levels and tone can be conveniently checked. However, as the PEAK LED (6) will be lit during overloading at EQ (7), each gain of EQ (7) should be kept flat when adjusting TRIM (1). After setting TRIM (1), if the PEAK LED should be lit during testing of the tone by EQ (7), there is overloading at the EQ stage (7) and the corresponding gain should be decreased, or re-adjust...
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