Assessments - 5, GPA: 4.6
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Klangprogramm/Klangfarbe K ! a ngprogr h mm ~ N r__ KI a n g p r o g r a nim-Na m e KI a ngp ro g c a m m -Nr. KI a n g p ro g r a rn m - N a me Klangprogra rnrn-Nr......... KI a n g p ro g r 3 m rn - N a me . Key Mode Split Point Reverb Type Reverb Time Reverb Level Tone Balance Patch Level Timbre No. Lower Upper Tone Select Key Shift Fine Tune -------------- Bender Range Assign Mode Reverb Switch Tone Select Key Shift | Fine Tune Bender Range 1 Assign Mode Reverb Switch Key Mode Split Point Reverb Type Reverb Time Reverb Level j Tone Balance Patch Level Tsmbre No. Lower U pper Tone Select Key Shift Fine Tune Bender Range Assign Mode Reverb Switch .........................~ Tone Select Key Shift Fine Tune Bender Range Assign Mode Reverb Switch Key Mode Split Point Reverb Type ______ Reverb Time Reverb Level Tone Balance Patch Level Lower Upper Tone Select Key Shift Fine Tune Bender Range Assign Mode Reverb Switch Timbre No. Tone Select Key Shift Fine Tune Bender Range Assign Mode Reverb Switch Timbre No. Timbre No. Timbre No. Tone Select Key Shift Fine Tune Bender Range Assign Mode Reverb Switch ....... Tone Select Key Shift Fine Tune Bender Range Assign Mode Reverb Switch Tone Select Key Shift Fine Tune Bender Range Assign Mode Reverb Switch ANHANG b. Klang Klang Nr._ Klangname________________________ Verwendete Klangprogramm-Nr. Verwendete Klangfarben-Nr. Structure 1&2 ENV Mode WG 1 2 3 4 TVF 1 2 3 4 Coarse Freq Pitch Fine >- o c ai Reso KF d cr CD LL KF Rate LL > BP LFO Depth BL Mod Depth Bend DVefo £ Form DKF o % > a: PCM B TKF § PCM No > I 1 PW z LU Li. > T 2 Q_ Velo T 3 Depth T 4 Velo L 1 TKF L 2 T 1 Sus L > T 2. Z LU sz o T 3 Cl T 4 L 0 L 1 L 2 End L TVA 1 2 3 4 Level Veio _ > _0j BP 1 < > BL 1 BP 2 BL 2 Velo T 1 TKF T 1 > T 2 Z UJ < > T 3 T 4 L 1 L2 Sus L 228 ANHANG c. Rhythmusklang-Zuordnung Kfey -N'ö.- i C 1 (24) Beverbj GS.1.:|2SSV D 1 (26) i E 1 (28) ----— F 1 (29} G 1 (31! A 1 (33) 6 1 (35) C 2 (36) D 2 (38) E 2 (40) F 2 (41) G 2 (43! ■GS2Vi44}':' A 2 (45) B 2 (47) C 3 (48) CS. 3.149): D 3 (50) ; E 3 (52) F 3 (53) : G 3 (55) .G#3: '(56): A 3 (57) Az BiiSSy B 3 (59) C 4 (60) :£Si4j6:t) D 4 (62) D«4 {63) E 4 (64) F 4 (65) FS 4 186) G 4 (67) Gs4 168)' A 4 (69) ÄS 4 (70) B 4 (71) C2 :3 - C3 *'.*■> ■■¿r. I-vr'fe Lt-vis- i'i.T C 5 (72) ! Gs5 (73; :! -I D 5 (74) ■v(V7vV^V.;..v::a. E 5 (76) I F 5 (77) 1 immmz : G 5 (79) Gmwoy: A. 5 (81) ----------- ---------- ---------- B 5 (83) C 6(84) 35) D 6 (86) ---------- -------------- —..........- E 6 (88) E 6 (89) I G 6 (91) vG*8v(9'Zfy A 6 (93) ;;ÄiS:6;iiä4): B 6 (95) C 7 (961 D 7 (98) :;Dtf.7;|3.3H E 7 (100) f 7 (101) ■:Fi.7';{102)'. G 7 (103) GS7.:'(104) A 7 (105) m?:ii qb} B 7 (107) C 8 (108) 3 —J :3 C8 229 Roland Exclusive Messages 121!Data Format for Exclusive Messages: # One wav transfer procedure (See SectionS for details.. This procedure is suited for (he transfer of a fimnll .minimi nr lioiajKl’s Mil.)! implomeiuairon u«.is (he folfowin>; dal?.* formal dala. \i sends out an oxckisive message completely ind^picruk-ni for aM exclusive messages uype fV) : of a receiving device status. Byte Desc! i-puon FOH Exclusive s’.aios 4 ! К Manu (а сил es ID (fío land) .TV Device ID MDL. Model ID С MO СOfr.mand íD [BODY] Maifidaîa F 71-1 End of exclusive Connection Diagram Device (A) Handshake MIIJÏ status n Manufactures Device ID Model ID FOH, F7H An oaSusive message must be flanked by a pair of status codes, starting with a Manufactures II) immediately ;.U’U;r YOU ( Mil )! version 1.0}. ID ; 41 H Tin,' Manufactures.....!D identifies 4 he manu facturer ni a MIDI insirument that iriggeres an exclusive message. Value Mil represents upland's Manufactures •• ][). DEV The Device !D contains a unique value that identifies the individu::! device in the multiple implementation of MIDI instruments. Il is usually set to 00II - Off I, a value smaller' by one- than that of a basic channel, but vaine 00!I ■ lit! may bo used for a device with multiple basic channels, MDL Th...