Assessments - 4, GPA: 4.3
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Facilidade de uso
When compression is on, the ON indicator lights up; the indicator is unlit when the effect is turned off. COSM AMPLIFIER 3. SHAPE Switch This effect alters the COSM amps' tonal qualities. The particular effect obtained varies according to the amp selected with the Type switch (©). 4. Type Switch You can select from the following seven amp types: OCTAVE BASS This original amp type creates sounds one octave below the input sounds and layers them together to create a fatter bass sound. I SHAPE > Offers more edge in the octave sound. * This function may not work properly when inputting chords; for example, sounds may not play, or they may be played at incorrect pitches. Always input a single note. FLIP TOP Models the Ampeg B-15 (1 x 15"). This amp provided the underpinning for many of the most famous Motown hits. It features a fat sound, while the amp's compact cabinet produces a distinct contour. I SHAPE > Offers more nuances of your picking expression. B MAN Models the Fender Bassman 100 (4 x 12"). This amp has been a favorite since the inception of electric basses. It features the sonic characteristics of tube amps, whereby increasing the distortion slightly yields a fatter sound. I SHAPE > Offers a tone with boosted midrange "fatness." 5 6 12 15 T.E Models the Trace Elliot AH600SMX + 1048 (4 x 10") + 1518 (1 x 15"). This amp was used widely by rock bands in the 1980s. Its wide range, clear attack, and other features make it a great amp for all kinds of performance situations. [SHAPE > Offers more attack. BASS360 Models the acoustic 360 (1 x 18"). This amp was used in the '70s not only by jazz bassists, but by funk and hard rock players as well. The tone features a warm low end with a midrange that maintains a clear contour, even with finger picking. [SHAPE > Offers more nuances of your picking expression. SESSION Models the SWR SM-400 + Goliath (4 x 10") + Big Ben (1 x 18"). This tweeter-equipped amp is representative of the "L.A. Sound" of the eighties. It features a wide-range tone that balances presence in the low end with a clear, open sound. [SHAPE > Offers a tight tone with a cut midrange. CONCERT 810 Models the Ampeg SVT + 810E (8 x 10"). This amp typifies the rock sound that relied heavily on combinations of high-output tube amp sections and large-sized cabinets. The characteristic sound is one of overwhelming low-frequency sound pressure. [SHAPE > Offers extra heavy bottom sound. * All product names mentioned in this document are trademarks or registered trademarks of their respective owners, and are not related to Roland Corporation. In this manual, these names are used as appropriate ways to indicate sounds that are simulated using COSM technology. 5. GAIN Knob This adjusts the preamp section's input level. Turning the knob to the right increases the gain. Using a high gain setting allows you to get an overdrive sound. Set the knob to as high a value as possible before the sound distorts to get the best signal-to-noise ratio. 6. VOLUME Knob Adjusts the overall volume. 5 Panel Descriptions EQUALIZER 7. BASS Knob Adjusts the tone quality of the lower range. 8. MIDDLE Knob Adjusts the tone quality of the midrange. 9. TREBLE Knob Adjusts the tone quality of the upper range. 10. EFX (Effects) Knob Turn this knob to chorus, flanger, or T-wah to select the corresponding effect. Turn the knob to adjust the amount of effect applied. The ON indicator lights up when EFX is turned on, and goes out when EFX is turned off. You can also turn EFX on and off using an optional foot switch (the BOSS FS-5U). * Graduations for CHORUS, FLANGER and T-WAH on a panel are for reference. Be sure to check the sound as you adjust the effects. CHORUS In this effect, a slightly detuned sound is added to the original sound, giving the sound greater breadth and fullness. Turning the knob to the right increases the rate and deepens the chorus effect. FLANGER This creates a flanging effect that creates a sort of spinning sensation with the sound. Turning the knob to the right increases the rate and deepens the flanging effect. T-WAH The frequency response of the filter changes according to the input level, producing unique changes in the timbre. Turning the knob to the right increases the sensitivity to the input level. Adjust this to obtain the optimal effect, which is matched with the output level of your bass. 11. DELAY/REVERB Knob Turn this knob to DELAY or REVERB to switch to that effect. Turn the knob to adjust the amount of effect applied. * Graduations for DELAY, REVERB on a panel are for reference. Be sure to check the sound as you adjust the effects. DELAY Turn the knob to change the delay time. REVERB Turn the knob to adjust the reverb level. 12. FOOT SW (Foot Switch) Jack You can use foot switches (the optional BOSS FS-5U) connected using a connection cable (the optional PCS-31) to turn EFX on and off, and to turn DELAY/REVERB on and off. EFX D...