Assessments - 1, GPA: 4
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Facilidade de uso
The channel used by the transmitting unit must be matched with that used by the receiving unit. Only then will sound be produced as expected. • In a setup where you wish to play the ep-3 and also have another MIDI-equipped instrument or sound module play the same notes, you first should set the channel used for reception on your external device to the same channel that you have the ep-3 set to use for transmission. • If using another MIDI keyboard as a master instrument, and you wish to have the ep-3 played by it, you would need to set the channel used for reception on the ep-3 to the same channel that the master keyboard will be transmitting on. • When wishing to have a sequencer play the ep-3, you need to set the channel used for reception on the ep-3 to the same channel that the recorded MIDI data is set to use. Setting the Channel Used for Transmission E PIANO VIBRAPHONE ORGAN STRINGS I ? 3 4 5 6 7 8 91ÛIHP13141516 Setting the Channel Used for Reception PIANO E PIANO VIBRAPHONE ORGAN STRINGS : ? 3 4 5 6 7 8 9 10111213141516 Program Change messages basically state something to this effect: “A change has been made to the number such-and-such voice.” They do not convey any further specifics about the voice, such as “The voice to which a change has been made is named Piano.” An instrument sends out a Program Change whenever a change in the voice being used is made. The Program Change is sent as a number which has been assigned to a certain voice. Such numbers and what they mean in terms of specific voices can vary from instrument to instrument. When another device receives a Program Change message, it will respond based on thes number and what it means on that instrument — it changes to the voice that it uses for that particular number. For this reason, it is entirely possible that on the master keyboard you could change to “Piano” and yet another instrument would begin sounding using “Vibraphone." Correspondence charts can be referred to beforehand to avoid such surprises. The setting shown here allows you to turn off Program Change communication. When off, the ep-3 no longer will transmit Program Change messages when its Voices are changed. Also, if the ep-3 should receive Program Changes sent from another unit, no change is made in its voices. It should be so to “Off” if, for example, you want a connected unit to always use a particular voice while you play using a variety of voices on the ep-3. E PIANO VIBRAPHONE STRINGS While holding these down, press the key for either “On” or “Off." On Off * Each time power is turned on, the unit defaults to "1" as the channel used for both transmission and reception. On: Transmission and reception takes place Off: No transmission or reception takes place * Each time power is turned on the instrument will always be at "On." * The ep-3 considers a combination of two Voices selected together as a separate Voice with a unique Program Change number. Moreover, it assigns individual numbers to every possible combination of a Voice plus Chorus, Reverb or both. (Please see the “Program Change Number Chart.") Program Change Number Chart VOICE Program Change Number Transmitted Recognized Piano 1 1 - 4 E. Piano 5 5 - 8 Vibraphone 9 9 -12 Organ 13 13-18 Strings 17 17-20 Piano + E. Piano 21 21-24 Piano-{-Vibraphone 25 25-28 Piano+Organ 29 CU CO 1 CD CU Pi an o +Strings 33 33-36 E. Piano +Vibraphone 37 37-40 E. Piano+Organ 41 41-44 E. Pi ano+Strings 45 45-48 Vibraphone+Organ 49 CO I cn ro V i braphone+Stri ngs 53 53-56 Organ + Strings 57 57-60 Turning Transmission/ Reception of Damper Messages On and Off When the setting shown below is switched to “Off," Damper messages (Hold 1: Control Change No. 64) will no longer be transmitted when a pedal connected to the ep-3 is depressed. Also, should any external device send Damper messages, they will have no effect: sounds playing on the ep-3 will not be sustained. E PIANO VIBRAPHONE ORGAN On: Transmission and reception takes place Off: No transmission or reception takes place On Off *Each time power is turned on this setting will always be at “On.” Digital Piano Model ep. 3 Date : Mar. 15 1990 MIDI Implementation Chart Version : 1.00 Function ■ • • Transmitted Recognized Remarks Basic Default 1 1 Channel Changed 1 - 16 1 - 16 Default Mode 3 Mode 3 Mode Messages X Omni Off, Poly Altered ********* Note Number True Voice 36-96 21 - 108 *3 21 - 108 *3 ,, , . Note ON Velocity Note OFF CO CO 0> O) il II > > О О i Ov=1- 127 X After Key's X X Touch Ch's X X Pitch Bender X X 64 * 1 * 1 Hold 1 Control Change 121 X о Reset All Controllers Prog * 1 (* 2) * 0 1 СЛ CO N-/ Change True # ********* * 2 System Exclusive X X Song Pos System _ Song Sel Common _ Tune X X X X X X System Clock Real Time Commands X X X X Local ON/OFF X о Aux All Notes OFF X о Messages Active Sense о о Reset X X Notes * 1 Can be set to О or x manually. * 2 0, 4, 8, 12, 16, 2...