Assessments - 3, GPA: 4
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Facilidade de uso
As such, it forms a convenient reference that can be used when creating effects programs, or when making settings for Control Assign. # For instructions on how effects are created, refer to the Owner’s Manual This guide is organized as follows: # The Preset Area (Program Numbers 161 to 199) provides the fundamental settings for 39 different algorithms. Within this guide, they can be looked up by either Algorithm Name or by Program Number. # At the top, the display page for the algorithm as it appeal's in the Play mode is shown, and an explanation of the algorithm’s characteristics is provided. # Block Diagram The diagram graphically details the composition of the algorithm. The meanings of symbols used are as follows: A parameter within the same effector. ■HRnmMnm An effector which cannot be turned off. (An effector that matches one of the criteria below.) The effector is the only one the algorithm contains. The Bffector is the most fundamental one of those used by the algorithm. An effector which can be turned On/Off. < ::z> A filter providing automatic processing, or a unit controlling an effector. •..............•> Control signals. • Parameters All parameters forming the algorithm, and the range of settings possible for them are shown. • For further details on how certain parameters work, refer to "How the Parameters Function,”p. 67. • Control Assign Shown here are the parameters that can be specified for Control Assign. 2 CONTENTS CONTENTS 161: Hall 1.......................................................4 162: Hall 2.......................................................6 163: Hall 3.......................................................7 164: Room 1.....................................................8 165: Room 2...................................................10 166: Plate 1.....................................................12 167: Plate 2.....................................................14 168: Gate Reverb..............................................15 169: Reverse Gate.............................................16 170: Ambience.................................................17 171: Modulation Reverb......................................18 172: 8 Tap Delay..............................................20 173: 4 Tap Delay..............................................22 174: Stereo Delay.............................................24 175: Tempo Delay.............................................26 176: Simple Delay.............................................28 177: Penta Chorus.............................................29 178: Space Chorus............................................30 179: Stereo Chorus............................................31 180: 4 Band Chorus...........................................32 181: 2 Band Chorus...........................................34 182: Ensemble.................................................36 183: Stereo Pitch Shifter......................................38 184: Quad Pitch Shifter.......................................40 185: 2 Band Pitch Shifter.....................................42 186: Multi Phaser..............................................44 187: Dynamic Phaser.........................................45 188: Stereo Flanger...........................................46 189: Enhancer.................................................47 190: Rotary 1 ..................................................48 191: Rotary 2..................................................49 192: Vocoder..................................................50 193: Multi 1....................................................52 194: Multi 2....................................................54 195: Multi 3....................................................56 196: Multi 4....................................................58 197: Multi 5....................................................60 198: Modulation Delay/Reverb..............................62 199: Reverb/Reverb/Delay...................................64 How the Parameters Function AMBIENCE...................................................68 CHORUS.......................................................68 DELAY.........................................................69 EDGE EXPANDER..........................................71 ENHANCER...................................................71 ENSEMBLE...................................................71 EQUALIZER..................................................72 FEEDBACK...................................................72 FLANGER.....................................................73 GATE...........................................................74 GATE REVERB..............................................75 MODULATION...............................................76 OVERDRIVE..................................................76 PANNING.....................................................7...