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Instruções de Operação Yamaha, Modelo MG102C

Fabricante : Yamaha
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CH 7/8 (CHs 7/8, 9/10*) HIGH: 10 kHz (shelving) ±15 dB maximum LOW: 100 Hz (shelving) PEAK Indicator Red LED turns on when post EQ signal (either post MIC HA or post EQ signal for CHs 3/4, 5/6) reaches –3 dB below clipping (+17 dBu). Internal Digital Effect* 16 PROGRAM, PARAMETER control Foot Switch (Digital Effect On/Off) LED Level Meter Pre MONITOR Level 2x7 points LED meter (PEAK, +6, +3, 0, –5, –10, –20 dB) PEAK lights if the signal level reaches 3 dB below the clipping level. Power Supply Adaptor PA-10 AC 38 VCT, 0.62 A, Cable Length = 3.6 m Power Consumption 21 W Dimensions (W x H x D) 256.6 mm x 62.2 mm x 302.5 mm Net Weight 1.6 kg (MG82CX), 1.5 kg (MG102C) All level controls are nominal if not specified. Output impedance of signal generator: 150 ohms * The MG82CX feature is described first, followed by the MG102C feature in brackets: MG82CX (MG102C) MG82CX/MG102C Owner’s Manual 55 Specifications Reference Specifications Reference Input Specifications Input Connectors Gain Input Impedance Appropriate Impedance Sensitivity * Nominal Level Max. before Clipping Connector Specifications CH INPUT MIC (CHs 1, 2) –60 dB 3 k. 50–600 . Mics –72 dBu (0.195 mV) –60 dBu (0.775 mV) –40 dBu (7.75 mV) XLR-3-31 type (balanced [1 = GND, 2 = HOT, 3 = COLD]) –16 dB –28 dBu (30.8 mV) –16 dBu (123 mV) +4 dBu (1.23V) CH INPUT LINE (CHs 1, 2) –34 dB 10 k. 600 . Lines –46 dBu (3.88 mV) –34 dBu (15.5 mV) –14 dBu (155 mV) TRS phone jack (balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) +10 dB – 2 dBu (0.615 V) +10 dBu (2.45 V) +30 dBu (24.5 V) ST CH MIC INPUT (CHs 3/4, 5/6) –60 dB 3 k. 50–600 . Mics –72 dBu (0.195 mV) –60 dBu (0.775 mV) –40 dBu (7.75 mV) XLR-3-31 type (balanced [1 = GND, 2 = HOT, 3 = COLD]) –16 dB –28 dBu (30.8 mV) –16 dBu (123 mV) –6 dBu (389 mV) ST CH LINE INPUT (CHs 3/4, 5/6) –34 dB 10 k. 600 . Lines –46 dBu (3.88 mV) –34 dBu (15.5 mV) –14 dBu (155 mV) Phone jack (unbalanced)+10 dB – 2 dBu (0.615 V) +10 dBu (2.45 V) +30 dBu (24.5V) ST CH INPUT (CH 7/8 (CHs 7/8, 9/10)) — 10 k. 600 . Lines –22 dBu (61.5 mV) –10 dBu (245 mV) +10 dBu (2.45 V) Phone jack (unbalanced) RCA pin jack CH INSERT IN (CHs 1, 2) — 10 k. 600 . Lines –12 dBu (195 mV) 0 dBu (0.775 V) +20 dBu (7.75 V) TRS phone jack (unbalanced [Tip = Out, Ring = In, Sleeve = GND]) RETURN (L, R) — 10 k. 600 . Lines – 8 dBu (308 mV) +4 dBu (1.23 V) +24 dBu (12.3 V) Phone jack (unbalanced) 2TR IN (L, R) — 10 k. 600 . Lines –22 dBV (79.4 mV) –10 dBV (0.316 V) +10 dBV (3.16 V) RCA pin jack Where 0 dBu = 0.775 Vrms and 0 dBV= 1 Vrms * Sensitivity : The lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to the maximum level. (All level controls are at their maximum position.) ¦ Output Specifications Output Connectors Output Impedance Appropriate Impedance Nominal Level Max. before clipping Connector Specifications STEREO OUT (L, R) 150 . 10 k. Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone jack (impedance balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) EFFECT SEND (AUX SEND*) 150 . 10 k. Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone jack (impedance balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) CH INSERT OUT (CHs 1, 2) 75 . 10 k. Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone jack (unbalanced [Tip = OUT, Ring = IN, Sleeve = GND]) REC OUT (L, R) 600 . 10 k. Lines –10 dBV (0.316 V) +10 dBV (3.16 V) RCA Pin jack MONITOR OUT (L, R) 150 . 10 k. Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone jack (impedance balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) PHONES OUT 100 . 40 . Phones 3 mW 75 mW Stereo phone jack Where 0 dBu = 0.775 Vrms and 0 dBV= 1 Vrms * The MG82CX feature is described first, followed by the MG102C feature in brackets: MG82CX (MG102C) 56 MG82CX/MG102C Owner’s Manual Specifications Reference Specifications Reference Digital Effect Program List No Program Parameter Description 1 REVERB HALL 1 REVERB TIME Reverb simulating a large space such as a concert hall. 2 REVERB HALL 2 REVERB TIME 3 REVERB ROOM 1 REVERB TIME Reverb simulating the acoustics of a small space (room). 4 REVERB ROOM 2 REVERB TIME 5 REVERB STAGE 1 REVERB TIME Reverb simulating a large stage. 6 REVERB STAGE 2 REVERB TIME 7 REVERB PLATE REVERB TIME Simulation of a metal-plate reverb unit, producing a more hard-edged sound. 8 DRUM AMBIENCE REVERB TIME A short reverb that is ideal for use with kick drum. 9 KARAOKE ECHO DELAY TIME Echo designed for karaoke (sing-along) applications. 10 VOCAL ECHO DELAY TIME Echo suitable for vocals. 11 CHORUS 1 LFO Frequency Creates a thick sound by modulating the delay time. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 12 CHORUS 2 LFO Frequency 13 FLANGER LFO Frequency A sweeping pitched effect. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 14 PHASER LFO Frequency Phase modulation produces a cyclical phasing effect. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 15 AUTO WAH LFO Freq...

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