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Instrumentos musicais - MG82CX (1.22 mb)
Instrumentos musicais - MG82CX (1.23 mb)
Facilidade de uso
The MG compressor makes achieving great sound much easier: all you need to do is set a single “compression” control and all of the pertinent parameters are automatically adjusted for you. (Min) (Max) INPUT OUTPUT Mixer Basics Making the Most of Your Mixer Ambience Your mixes can be further refined by adding ambience effects such as reverb or delay. The MG’s internal effects can be used to add reverb or delay to individual channels in the same way as external effects processors. (Refer to page 13). Reverb and Delay Time The optimum reverb time for a piece of music will depend on the music’s tempo and density, but as a general rule longer reverb times are good for ballads, while shorter reverb times are more suited to up-tempo tunes. Delay times can be adjusted to create a wide variety of “grooves”. When adding delay to a vocal, for example, try setting the delay time to dotted eighth notes corresponding to the tune’s tempo. Reverb Tone Different reverb programs will have different “reverb tone” due to differences in the reverb time of the high or low frequencies. Too much reverb, particularly in the high frequencies, can result in unnatural sound and interfere with the high frequencies in other parts of the mix. It’s always a good idea to choose a reverb program that gives you the depth you want without detracting from the clarity of the mix. Reverb Level It’s amazing how quickly your ears can lose perspective and fool you into believing that a totally washed-out mix sounds perfectly fine. To avoid falling into this trap start with reverb level all the way down, then gradually bring the reverb into the mix until you can just hear the difference. Any more than this normally becomes a “special effect.” The Modulation Effects: Phasing, Chorus, and Flanging All of these effects work on basically the same principle: a portion of the audio signal is “time- shifted” and then mixed back with the direct signal. The amount of time shift is controlled, or “modulated”, by an LFO (Low-frequency Oscillator). For phasing effects the shift is very small. The phase difference between the modulated and direct signals causes cancellation at some frequencies and reinforces the signal at others and this causes the shimmering sound we hear. Reference 10 MG82CX/MG102C Owner’s Manual Front & Rear Panels The following applies to both the MG82CX and MG102C. In cases where different features need to be described for each model, the MG82CX feature will be described first, followed by the MG102C feature in brackets: MG82CX (MG102C). Channel Control Section 1 MIC Input Jacks (CHs 1 to 5/6) These are balanced XLR-type microphone input jacks (1:Ground; 2:Hot; 3:Cold). 2 LINE Input Jacks (CHs 1, 2) These are balanced TRS phone-jack line inputs (T:Hot; R:Cold; S:Ground). You can connect either balanced or unbalanced phone plugs to these jacks. 3 LINE Input Jacks (CHs 3/4 to 7/8 (CHs 3/4 to 9/10)) These are unbalanced phone-jack stereo line inputs. 4 LINE Input Jacks (CH 7/8, (CHs 7/8, 9/10)) These are unbalanced stereo RCA pin jacks. Where an input channel provides both a MIC input jack and a LINE input jack, or a LINE input jack and an RCA pin jack, you can use either jack but not both at the same time. Please connect to only one jack on each channel. 5 INSERT Jacks (CHs 1, 2) Each of these jacks provides an insert point between the equalizer and level control of the corresponding input channel (CHs 1, 2). The INSERT jacks can be used to independently connect devices such as graphic equalizers, compressors, or noise filters into the corresponding channels. These are TRS (tip, ring, sleeve) phone jacks that carry both the send and return signal (tip = send/out; ring = return/in; sleeve = ground). Patching external devices via an INSERT jack requires a special insert cable such as illustrated below (insert cable sold separately). 6 GAIN Control Adjusts the input signal level. To achieve the best balance between S/N ratio and dynamic range, adjust the level so that the PEAK indicator 9 lights only occasionally and briefly on the highest input transients. The -60 to -16 scale is the MIC input adjustment range. The -34 to +10 scale is the LINE input adjustment range. 7 Switch (High Pass Filter) This switch toggles the HPF on or off. To turn the HPF on, press the switch in ( ). The HPF cuts frequencies below 80 Hz (the HPF does not apply to the line inputs of stereo input channels 34). 1 6 A B C 9 0 3 7 C B A 0 3 1 4 2 5 6 8 A B C 9 0 7 Channels 7/8 (7/8 and 9/10) (Stereo) Channels 1 and 2 (Monaural) Channels 3/4 and 5/6 (Stereo) MG82CX The signal output from the INSERT jacks is reverse-phased. This should not be a problem when connecting to an effect unit, but please be aware of the possiblility of phase conflict when connecting to other types of device. NOTE NOTE To the input jack of the external processor To the output jack of the external processor Sleeve Ground) Tip: OUT Tip: IN To the INSERT I/O jack SSleleeevvee ( G(Grorouunndd)) Ring: IN ...
Este manual também é adequado para os modelos :Instrumentos musicais - MG102C (1.05 mb)