Assessments - 2, GPA: 4
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That is, the level of the signal source should be set in such a way that the SIGNAL indicator lights as soon as the bass player starts playing. The PEAK indicator, on the other hand, should only flash occasionally. The highest possible signal level on track 1 (of your multitrack) is what you should aim for. 6. Set input module 1 's fader to '0' (you can change that later if necessary). 7. Ask the bass player to start playing at normal level. 8. Use the GAIN control of input module 1 to set the right input sensitivity. Remember what we just told you about the SIGNAL and PEAK indicators. Once you think you have the right input level, ask the bass player to play as loud as he can, and listen. If you hear no distortion, go on to the next step. If you do hear distortion, reduce the GAIN level until the PEAK indicator starts flashing at the loudest notes. Recording with the RM800 27 Note: If you don’t hear the bass (or if he doesn’t hear himself in the headphones connected to the PHONES jack), first increase the monitor level using the PHONES control on the stereo module. Then gradually increase the MONI/-AUX 5-6 level on input channel 1. Set the PAN to dead center. 9. To have a clearer idea of the level, set both METER SELECT switches in the meter section to the up position. As a matter of fact, setting only the left METER SELECT would be enough here. lO.Set GROUP fader 1 to '0' (no gain, no attenuation). If the signal goes way into the red, reduce its level using input module l’s fader. Also watch the level meter of track 1 on your multitrack. (You may have to select the record pause mode on your multitrack). If the level is not high enough, first increase it using the input module’s fader and (if it’s still too low) then with the GROUP 1 fader. 11.Apply any equalization you feel is necessary at this stage. Use it sparingly, though, because the bass may turn out to be alright during mix-down. Furthermore, you can still correct any frequency peaks during mixdown. Clicktrack The bass player needs something to ‘cling to’ while playing. It is customary to use a drum machine to supply a rimshot time reference. 12.Connect the L/Mono output of your drum machine to the MIC/LINE input of input module 8 - or any other input module. 13.Set its M/L TAPE switch to the up position. 14.Set the MONI/AUX 5-6 M/L TAPE switch to the up position. Ask your bass player what resolution he needs (e.g. only quarter notes, eighth notes, sixteenth notes etc.) and program one bar on your drum machine. Copy that bar for the required number of measures and make up your mind about the tempo. 15.Use the MONI/AUX 5-6 level control to set the right clicktrack level with respect to the bass signal. Note: At this stage, it is more important that the bass player can live with the balance. A high clicktrack level will also help you spot any notes played way ' ahead or after the beat. 16.Assign input module 8 to Group 8 by pressing the 7-8 switch of that input module and turning the ODD/EVEN PAN control all the way to the right. 17.Set a workable recording level (it doesn't have to be perfect, so don't spend too much time on it). See steps (6.)-(10.), but read 'GROUP fader 8'where it says'1'. For safety reasons, we are going to record the clicktrack to track 8. You need it anyway to supply a count-in, and you can erase it once all backing tracks have been recorded. RM800 User's Cuide Note: If, at some stage, you wish to solo the bass for some final checking, press GROUP 1’sAFL switch. Do not forget to turn it back off again. * Here we go 18.Set the MONI/AUX 5-6 M/L TAPE switch of input modules 1 and 8 to the down position. As explained earlier, it is wiser to monitor the tape return signals rather than the original signals. 19.Arm tracks 1 and 8 for recording (on your multitrack or its remote control). 20.Start recording. 21.Start playback of your drum machine. 22.Stop recording when the bass line is finished. 23.Rewind your tape (or jump back to measure 1) and listen. That way, both you and the bass player can monitor the bass line. If the bass player wants to punch in, first decide where he’s going to come in, then go back to step (18.), but arm only track 1. To record other tracks, go back to step (2.) but select other input modules. To add the bass line that has already been recorded to the monitor mix, set the MONI/AUX 5-6 M/L TAPE switch to the down position (monitor signal coming from track 1) if you haven’t already done so. To record a stereo signal, assign the left channel to one Group (3, for example), and the right channel to another Group (e.g.4), thereby ensuring that they are being recorded onto separate tracks. GROUP 7-8 INSERT I/O The GROUP 7-8 INSERT I/O connectors allow you to patch a signal processor (compressor, noise gate) into group output 7 or 8 and process their content before recording it to the multitrack. For example, you may want to compress the mix of signals being sent to the track. ...
Este manual também é adequado para os modelos :Instrumentos musicais - RM800-24 (9.48 mb)