Assessments - 2, GPA: 4
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Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen. ENGLISH 1 2 3 4 6 7 8 9 11 12 13 14 15 16 17 19 20 10 18 HIGH GAIN INPUT (1) Used for most electric guitars. It is 6 dB louder than the Low Gain input. LOW GAIN INPUT (2) Provided for instruments that have extremely high outputs, which can result in overdriving (distorting) the High Gain input. If both inputs are used simultaneously, the output levels are the same (both are Low Gain). NORMAL GAIN (3) Controls the volume level of the Normal channel and is not affected by the SuperSat ® or Post Gain controls. BRIGHT SWITCH (4) Provides a preset boost (6 dB) to treble frequencies. To activate, depress the switch to its “in” position. CHANNEL SELECT SWITCH (5) Allows selection of the Lead or Normal channel. The “in” position of the switch selects the Lead channel and the “out” position select Normal. LOW, Mia & HIGH EQ (6) Passive tone controls that regulate the low, mid and high frequencies, respectively. PRESENCE (ACTIVE) (7) An active tone control (±15 dB) that varies the extreme high frequency range. 0 to +15 boost (increase). 0 to *15 cut (reduce). SUPERSAT- (8) A transistor simulation of tube distortion (soft clipping). To activate the SuperSat effect. Lead channel must be activated. SHIFT SWITCH (9) Shifts the frequency at which the *lBody” control operates. The “In*' position allows the Body control to function at a higher frequency and the “Out" position selects a lower frequency. GAIN SWITCH (10) Boosts the overall system gain. Depress to the “in” position to activate. POST GAIN (11) Controls the overall volume level of the Lead channel. The final level adjustment should be made after the desired sound has been achieved. BOTTOM (12) An active tone control (shelving type ±15 dB) that varies the low frequency boost or cut. NOTE: This control is not functional on the Normal channel. BODY (13) An active tone control (peak/notch, ±15 dB) that varies the mid frequency boost or cut. NOTE: This control is not functional on the Normal channel. EDGE (14) An active tone control (shelving type, ±15 dB) that varies the high frequency boost or cut. NOTE: This control is not functional on the Normal channel. EFFECTS SEND (15) Output for supplying signals to external low-level effects or signal processing equipment. EFFECTS RETURN (16) Input tor returning signals from external low-level effects or signal processing equipment. REVERB LEVEL (17) Controls the overall reverb level. POWER LED (18) Illuminates when AC power is being supplied to the amp. GROUND SWITCH (19) Three position rocker-type switch which, in most applications, should be operated in its center or zero position. There may be some situations when audible hum and/or noise will come from the loudspeaker. If this situation arises, position the ground switch to either positive or negative ( + or -) or until the noise is minimized. NOTE: Should the noise problem continue, consult your Authorized Peavey Dealer, the Peavey Factory, or a qualified service technician. THE GROUND SWITCH IS NOT FUNCTIONAL ON 220/240 VOLT MODELS. POWER SWITCH (20) Depress the switch to the “On” position. The red pilot light (LED) will illuminate indicating power is being supplied to the unit. 21 22 23 24 POW ER AMP INPUT (21) Use to connect line level signal to the power amplifier. PREAMP OUT (22) The preamp output can be used to route the amplified signal to a mixing console, tape recorder, etc. Connect the preamp output using a shielded cable to an input of the tape recorder, mixer, etc. This patch does not affect the operation of the amplifier. REMOTE SWITCH JACK (23) Provided for the connection of the supplied remote footswitch. Footswitch is used lo select the Lead or Normal channels and defeat reverb. When using remote footswitch, always insert the plug fully (second click) to insure proper operation. LINE CORD (120V PRODUCTS ONLY) (24) For your safety, we have incorporated a 3-wire line (mains) cable with proper grounding facilities. It is not advisable to remove the ground pin under any circumstances. If it is necessary to use the equipment without proper grounding facilities, suitable grounding adaptors should be used. Less noise and greatly reduced shock hazard exists when the unit is operated with the proper grounded receptacles. TONE SETTINGS NOSMAL GAIN EQUALIZATION- IOTÖGgfJGi Q Ö : ; "> r I—I . is Is* ; -!• i»i\. • < ADJUST TO CLEAN IN ,.rTAl ADJUST TJ) TASTE METAL r/»ST£ AO.-UST TO TASTE OUT aojust to jazz OUT MEDIUM adjust to TASTE T ASTE DISTORTION ADJUST to TASTE Oü I •OnUAl «All» y-EÜ-JAL.-2ATION- □ -IE»0 CAIM- rrrtCTS KKvGRn StXO-SE^tü. Ä Ä /"S SPECIAL- p m W ( 112 ° UAiM ■UGH cecstncfISuPCRSAT POST I BOTTOM BOO* ADJUST TO COUNTRY CLEAN OUT COUNTRY ADJUST TO LEAD Tone settings given are general and will vary according to type of guitar, type and gauges of strings, type of pickup and even type of pick. Personal taste, pla...
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