Assessments - 3, GPA: 4.3
(
)
)
|
Facilidade de uso
I LOW GAIN INPUT (2) Provided for instruments that have extremely high outputs, which can result in overdriving (distorting) the High Gain input. If both inputs are used simultaneously, the output levels are the same (both are Low Gain). PRE GAIN (3) Controls the input volume level of the amplifier. PRE-EQ PATCH JACKS (4) Provided for connecting external effects devices into the signal path. To patch an effects device, connect the send jack to the input of the device. Connect the output of the device to the return jack. High-quality shielded cables should be used for these connections. OPERATION NOTE: Volume pedals may be patched in at this point; pedal output should be patched into “return”, and “send” should be patched into pedal input. Instrument should connect directly to high or low gain inputs when volume pedal is connected in this configuration LOW EQ (5) An active tone control (shelving type, +/- 15 dB) that varies the low frequency range. CAUTION: Excessive low frequency boost causes greater power consumption and increases possibility of speaker damage. MID EQ (6) A passive tone control that adjusts mid frequencies. SHIFT (7) Shifts and selects the frequencies at which the Mid control operates. HIGH EQ (8) An active tone control (peak/notch type, +/- 15 dB) that varies the high frequency range. PRESENCE (ACTIVE) (9) An active tone control (+I5 dB) that varies the extreme high frequency range. 0 to +15 boost (increase). SENSITIVITY (10) Controls the overall volume level of the amplifier. The final level adjustment should be made after the desired sound has been achieved. EFFECTS PATCH 1 (11) Provided for connecting external effects devices into the signal path. To patch an effects device, connect the send jack to the input of the device. Connect the output of the device to the return jack. High-quality shielded cables should be used for these connections. EFFECTS PATCH 2 (12) Provided for connecting external effects devices into the signal path. To patch an effects device, connect the send jack to the input of the device. Connect the output of the device to the return jack. High-quality shielded cables should be used for these connections. REVERB (13) Reverberation is an echo effect. Rotate clockwise to increase the effect. Remote footswitch can control On/Off. PILOT LIGHT LED (14) Illuminates when AC power is being supplied to the amp. GROUND SWITCH (15) Three position rocker-type switch which, in most applications, should be operated in its center or zero position. There may be some situations when audible hum and/or noise will come from the loudspeaker. If this situation arises, position the ground switch to either positive or negative (+ or -) or until the noise is minimized. NOTE: Should the noise problem continue, consult your Authorized Peavey Dealer, the Peavey Factory, or a qualified service technician. THE GROUND SWITCH IS NOT FUNCTIONAL ON 220/240 VOLT MODELS. POWER SWITCH (16) Depress the switch to the “On” position. The red pilot light (LED) will illuminate indicating power is being supplied to the unit. Tone Settings Adjust to Taste Steel Guitar E9th Neck Adjust to Taste Adjust to Taste Steel Guitar C6th Neck Adjust to Taste Adjust to Taste Violin Adjust to ‘Taste Adjust to Taste Lead Guitar - Country Adjust to Taste Adjust to Taste Lead Guitar Jazz Adjust to Taste Tone settings given are general and will vary according to type of guitar, type and gauges of strings, type of pickup and even type of pick. Personal taste, playing style, and type of music greatly contribute to desired tonality. BLOCK DIAGRAM PRE-EQ TONE PRE AMP SWITCH LOGIC SWITCH LOGIC PWR AMP PREAMP IN OUT I AvYv :y +-Y T 4 FT. SW . JY R. SW. 1 REVERB SEND EFFECTS 1 RETURN SEND EFFECTS 2 4 OHM SPEAKER RETURN PWR. AMP r 7 SESSION” 400 LTD LE?EL THIS BLOCK DIAGRAM SHOWS THE SIGNAL PATH WITHIN THE AMPLIFIER. IN ORDER TO THOROUGHLY UNDERSTAND THE FUNCTIONS OF THE AMPLIFIER, PLEASE STUDY THE BLOCK DIAGRAM CAREFULLY. SESSION@ 400 LIMITED ENGINEERING SPECIFICATIONS POWER AMPLIFIER SECTION Rated Power & Load 210 Watts into 4 ohms with DDT’” compression Power @ Clipping: (typical) (5% THD, 1 kHz, 120 VAC line) 240 Watts RMS into 4 ohms Frequency Response: +O, -2 dB, 80 Hz to 10 kHz, @ 200 Watts RMS into 4 ohms Total Harmonic Distortion: Less than 0.2%, 100 mW to 200 Watts RMS, 60 Hz to 10 kHz, 4 ohms (typically below O.i%) Hum & Noise: Greater than 100 dB below rated power Power Consumption: (domestic) 600 Watts @ 120 VAC 60 Hz PREAMP SECTION The following specs are measured @ 1 kHz with the controls preset as follows: Low & High EQ @ 0 dB Mid & Shift EQ @ 10 Presence EQ @ 0 Sensitivity @ 5 High dynamics reverb @ 0 Nominal levels are with pre gain @ 5 Minimum levels are with pre gain @ 10 Preamp High Gain Input: Impedance: High Z, 220 K ohms Nominal Input Level: -22 dBv, 80 mV RMS Minimum Input Level: -36 dBv, 15mVRMS Maximum Input Level: +lO dBv, 3.0 V RMS Preamp Low Gain Input: (6 dB pad) Impedance: High Z, 44 K ohms Nominal In...
Este manual também é adequado para os modelos :Instrumentos musicais - Session 400 (373.43 kb)