Assessments - 4, GPA: 4.5
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INTERNE TEILE KONNEN NICHT VOM BENUTZER GEWARTET WERDEN. DIE WARTUNG IS QUALIFIZIERTEM WARTUNGSPERSONAL ZU UBERLASSEN. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. "IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL" “ES NECESARIO QUE EL USUARIO SE REFIERA AL MANUAL DE INSTRUCCIONES.” "REFERREZ-VOUS AU MANUAL D'UTILISATION" "UNBEDINGT IN DER BEDIENUNGSANLEITUNG NACHSCHLAGEN" EXPLANATION OF GRAPHICAL SYMBOLS: "DANGEROUS VOLTAGE" “VOLTAJE PELIGROSO” "DANGER HAUTE TENSION" "GEFAHLICHE SPANNUNG" = = ATTENTION RISQUE D'ELECTROCUTION NE PAS OUVRIR VORSICHT ELEKTRISCHE SCHLAGGEFAHR NICHT OFFENEN ATTENTION: POUR REDUIRE D'ELECTROCUTION NE PAS ENLEVER LE COUVERCLE. AUCUNE PIECE INTERNE N'EST REPRABLE PAR L'UTILISATEUR. POUR TOUTE REPARATION, S'ADRESSER A UN TECHNICIEN QUALIFIE. VORSICHT: ZUR MINIMIERUNG ELEKTRISCHER SCHLAGGEFAHR NICHT DEN DECKEL ABENHMEN. INTERNE TEILE KONNEN NICHT VOM BENUTZER GEWARTET WERDEN. DIE WARTUNG IS QUALIFIZIERTEM WARTUNGSPERSONAL ZU UBERLASSEN. Output Power Rating: 125 watts RMS total system power Woofer Amp: 2 x 50 watts RMS @1% THD Tweeter Amp: 25 watts RMS @1% THD Inst. Channel: Low: +/-15dB @ 80Hz Mid: +/-15dB @ 400–1.2kHz (Contour) High: +/-15dB @ 10kHz Input Impedance: 25k ohm (Active), 2.2M ohm (Piezo) Input Sensitivity: 22mV RMS (Active), 9mV RMS (Piezo) Sens. to Eff Send/Line out: 70mV Max Input Signal: 6v RMS (17v peak to peak) Feedback Elimination: Freq: variable from 80Hz to 4kHz Cut: variable from -0 to -30dB Voc. Ch: Input Impedance: 3k ohm (Lo-Z), 20k ohm (Hi-Z) Input Sensitivity: 3mV RMS (Lo-Z), 15mV RMS (Hi-Z) Sens. to Eff Send/Line out: 9mV (Lo-Z), 50mV (Hi-Z) Max Input Signal: 10v RMS (28v peak to peak) Aux. Ch: Input Impedance: 20k ohm Input Sensitivity: 15mV RMS Sens. to Eff Send/Line out: 50mV Max Input Signal: 10v RMS (28v peak to peak) Master EQ’s: +/-12dB @ 80Hz, 330Hz, 1kHz 4kHz, 10kHz Effects Loop: Line Out 1v RMS, Line In 1v RMS Eff Return to Line Out Sens: 50mV Eff Return In. Impedance: 11k ohm Eff Send Out. Impedance: 2.2k ohm Line Out Out. Impedance: 220 ohm (Lo-Z), 2.2k ohm (Hi-Z) Internal Woofer: 12” dual voice coil w/polypropylene cone, foam surround, 40oz magnet, 1” voice coil, 2x8 ohms, 100w RMS, 95dB 1w 1m Internal Tweeter: High efficiency Piezo, 110dB 1w 1m Internal Crossover: Active electronic type Power Requirements: 120VAC, 60Hz, 160VA; 100/115VAC, 50/60Hz, 160VA; 230VAC, 50/60Hz, 160VA Size and Weight: 21-1/2”H x 21”W x 12”D, 44 lbs. Technical Specifications: On the Front Panel: 12345 6 7 8 91011 121314 0 10 0 10 0 100 10 0 100 100 100 10 0 10 500Hz 1.2kHz 0 –15 +15 0 –15 +15 0 –15 +15 0 10 Rev Ret Eff Ret Depth ChorusInstrument RateGainInput Low Mid Contour High Freq Cut Rev/EffSend 0 –30dB –15dB Hi ZLow Z Gain Vocal / Mic Rev/EffSend Off On Active Peak Piezo 100Hz 330Hz 1kHz 4kHz 10kHz +12dB –12dB 0 +12dB –12dB 0 Graphic Eq Power Master 0 10 Level 500Hz 175 1.2k 80Hz 4kHz GainHi Z Aux Rev/EffSend 15 16 1817 19 20 21 23 24 25 26 2722 SPR LAR SAR DLY Multi Mode Effects The Instrument channel: 1: Input. The signal output from your acoustic instrument may be connected here by means of a shielded instrument cable. 2: Active/Piezo switch. Use this switch to select the type of pickup on your instrument. For active electronic pickups, set the switch to “active” (switch out). For passive/magnetic pickups, set it to “piezo” (switch depressed). 3: Gain. This serves as the input level control for the instrument channel of the amplifier. For the best signal to noise ratio set this control so the Peak LED (#4) flashes when playing your instrument fairly hard. 4: Peak LED. This LED flashes when the signal level into the preamp approaches clipping. Adjust the Gain control (#3) until a strong signal from your instrument causes this LED to flash. 5: Low. This serves as the instrument channel’s primary bass control. Adjust this control to get the best sounding bass response for your instrument. Excessive boost of the low control can cause an unnatural howling and should be avoided. 6: Mid. This serves as the instrument channel’s primary midrange control. Adjust this control to get the best projection and midrange tones for your instrument. The center point of the mid control is chosen by the setting of the contour control (#7). 7: Contour. Use this control to set the center point of the mid control (#6). Set this control at the frequency which gives you the most natural- sounding midrange tones. 8: High. This serves as the instrument channel’s primary treble control. Adjust this control so your high notes and harmonic overtones are lively but not overpowering. 9: Freq. Use this control along with the Cut control (#10) to eliminate instrument feedback. For information on the proper use of this control, please read the section entitled “To Eliminate Instrument Feedback.” 10: Cut. Use this control along with ...