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Instruções de Operação Fender, Modelo SIXTY

Fabricante : Fender
Arquivo Tamanho: 192.14 kb
Arquivo Nome : KXR_60_manual.pdf
Língua de Ensino: en
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It uses state of the art technology to deliver clear, resonant and most importantly... musical sound. The KXR 60 is actually much more than just a keyboard amp. With its heavy-duty, Fender® Special Design speaker and piezo-electric horn, it is a self-contained, portable P.A. system, suitable for almost any musical instrument requiring full-range sound reinforcement. This makes the KXR 60 ideal for amplifying electronic keyboards, acoustic/electric guitar, electric violin or voice. Compact packaging and medium level output power make the KXR 60 the perfect full-range instrument amplifier for rehearsal, studio or small club performances. The preamp section of the KXR 60 features two independent channels, a four band master EQ, Reverb and Master Volume controls. Each channel features a single 1/4 inch Input jack and Volume control. The Effects Send and Effects Return jacks can be used with a wide variety of effects devices, or as patch points for slaving multiple amps together. The Effects Send can also be used to connect your KXR 60 directly to a recording console or sound rein forcement mixer. A tape player or drum machine can be mixed with the preamp signal (pre-effects loop) by using the Tape In jacks. The Headphones jack automatically mutes the internal speaker while driving stereo or mono headphones for private practice sessions. The KXR 60's rugged 50 watt power amplifier was designed to give years of quality service under all conditions and is equipped with a unique implementation of our exclusive DELTACOMPTM adaptive compression system. With DELTACOMPTM, it is practically impossible to cause the power amplifier to clip (distort). Also, apparent compressor release time is kept short keeping distortion to a minimum at low frequencies. Your selection of a Fender® amplifier will be rewarded with years of quality performance and a wide range of musical sounds. The built in quality of your Fender® amplifier is the result of over four decades of dedication in the combined skills of research and development by our engineers and musicians. That is why we proudly say... Fender®, The Sound That Creates Legends. KXR 60 FRONT PANEL FUNCTIONS A. CHANNEL 1 INPUT (1/4" Phone)-Plug-in connection D. EQUALIZER-The equalizer allows precise adjustments for instruments. This balanced input can handle as of the tonal characteristics of the amplifier. Each con- much as 8V R.M.S. trol provides a 12 dB boost or cut to bands of frequencies centered about 100, 338, 1188, and 4000 Hz. B. CHANNEL 1 VOLUME-This control adjusts the preamplifier gain of channel 1. It works in conjunction with E. REVERB CONTROL-This control adjusts the amount the Master Volume control (item H) to set the overall of reverb to be mixed with the dry signal. The input to loudness of the amplifier for Channel 1 only. Being a the reverb assembly is the sum of Channels 1 and 2. true “gain” control, it allows for the use of a variety of microphones, keyboards or other instruments with dif-F. EFFECTS SEND JACK-This jack provides an unbalfering output signal levels. Low-level instruments genanced output signal from the preamp. This output can erally require a higher Channel Volume setting, while be used with the Effects Return jack (item G) as a patch “hotter” keyboards require a lower Channel Volume point for mono effects devices. The Effects Send is setting. connected to the input of the effect (digital delay or other effects device) and the output of the effect is con- C. CHANNEL 2 -This channel is provided for an addinected to the Effects Return jack (Item G). The Effects tional instrument. Its input and volume control operate Send can also be used to provide a signal to a record- in the same manner as items A and B in channel 1. ing or sound reinforcement mixer. In addition, this This channel is muted when nothing is plugged into its output can be used to drive another KXR 60 used as a input, and thus will contribute no additional noise to slave amp. This is done by connecting a standard guithe amplifier output when left unused. Both channels tar cord from the Effects Send jack of the master amp may be used simultaneously, however Channel 1 to the Effects Return jack of the slave amp. should be used first if only one input is needed. G. EFFECTS RETURN JACK-This balanced jack inputs signal to the Master Volume control which drives the power amp section. It automatically disconnects the preamp when used. This jack is useful with the effects loop feature, or when using the KXR 60 as a slave amp. H. MASTER VOLUME CONTROL-This control adjusts the level of the signal coming out of the preamplifier section. This control is used in conjunction with the Channel Volume control to set the overall sound level of the amplifier. In order to maximize headroom and minimize noise, instruments with low-level output will require a high Channel Volume setting and a low Master Volume setting, while other instruments will require a lower Channel Volume and higher Master Volume ...


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