Assessments - 2, GPA: 5
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LEVEL): 1-100 Determines the amplitude of the input signal required to trigger the effect. This parameter, in conjunction with the RELEASE parameter below, functions effectively as a noise gate to cut out hiss and noise when an input signal is not present. TRG LEVEL should be set so that the effect is activated only when a note is played on the instrument used. Release Time (RELEASE): 5 — 32000 ms Determines the amount of time it takes for the distortion gate to close after the input signal drops below the trigger level. Proper setting of the RELEASE parameter is essential to allow a natural decay of the source instrument sound. Sets the "degree" or "depth" of the distortion portion of the effect. Delay Balance (DELAY BAL): 0 - 100% Determines the amount of delay or echo effect applied to the distortion sound. Left Channel Delay (Lch DELAY): 0.1 - 500.0 ms Sets the time between the direct sound of the instrument and the first repeat heard from the left channel. Left Channel Feedback Gain (Lch F.B): -99% — + 99% Sets the amount of the left-channel delay signal fed back to the input of the processor. The higher the feedback gain setting, the greater the number of delayed repeats produced. Right Channel Delay (Rch DELAY): 0.1 — 500.0 ms Sets the time between the direct sound of the instrument and the first repeat heard from the right channel. Right Channel Feedback Gain (Rch F.B): -99% — + 99% Sets the amount of the right-channel delay signal fed back to the input of the processor. The higher the feedback gain setting, the greater the number of delayed repeats produced. High Frequency Feedback (HIGH): 0.1 — 1.0 Controls feedback in the high-frequency range. The high-frequency feedback is reduced as the value of this parameter is decreased. Midrange EQ Frequency (MID FRQ.): 560 Hz, 800 Hz, 1.0 kHz, 1.5 kHz, 2.0 kHz Sets the mid-frequency range to be boosted or cut using the next parameter: MID GAIN. Midrange EQ Gain (MID GAIN): -12— +12 dB Boosts or cuts response in the frequency range set by the MID FRQ parameter (above). A setting of 0 produces no boost or cut. Minus settings (e.g: -6 dB) cut response in the selected frequency range, while plus settings (e.g: + 12 dB) boost response. 21 Trigger Level (TRG. LEVEL): 1-100 Midrange EQ Gain (MID GAIN): -12— +12 dB Determines the amplitude of the input signal required to trigger the effect. This parameter functions effectively as a noise gate to cut out hiss and noise when an input signal is not present. TRG LEVEL should be set so that the effect is activated only when a note is played on the instrument used. / 27. DIST. + ECHO / Distortion Level (DISTORTION): 0 — 100% Sets the "degree" or "depth" of the distortion portion of the effect. Echo Balance (ECHO BAL): 0 - 100% Determines the amount of delay or echo effect applied to the distortion sound. Left Channel Delay (Lch DELAY): 0.1 - 250.0 ms Sets the time between the direct sound of the instrument and the first repeat heard from the left channel. Left Channel Feedback Gain (Lch F.B): -99% — + 99% Sets the amount of the left-channel delay signal fed back to the input of the processor. The higher the feedback gain setting, the greater the number of delayed repeats produced. Right Channel Delay (Rch DELAY): 0.1 — 250.0 ms Sets the time between the direct sound of the instrument and the first repeat heard from the right channel. Right Channel Feedback Gain (Rch F.B): -99% — + 99% Sets the amount of the right-channel delay signal fed back to the input of the processor. The higher the feedback gain setting, the greater the number of delayed repeats produced. High Frequency Feedback '{HIGH): 0.1 — 1.0 Controls feedback in the high-frequency range. The high-frequency feedback is reduced as the value of this parameter is decreased. Midrange EQ Frequency (MID FRQ.): 560 Hz, 800 Hz, 1.0 kHz, 1.5 kHz, 2.0 kHz Sets the mid-frequency range to be boosted dr cut using the next parameter: MID GAIN. Boosts or cuts response in the frequency range set by the MID FRQ parameter (above). A setting of 0 produces no boost or cut. Minus settings (e.g: -6 dB) cut response in the selected frequency range, while plus settings (e.g: + 12 dB) boost response. Trigger Level (TRG. LEVEL): 1-100 Determines the amplitude of the input signal required to trigger the effect. This parameter functions effectively as a noise gate to cut out hiss and noise when an input signal is not present. TRG LEVEL should be set so that the effect is activated only when a note is played on the instrument used. 22 / 28. PIST. + FLANGE 7 Distortion Level (DISTORTION): 0 - 100% / 29. DIST. + CH0RUS7 Distortion Level (DISTORTION): 0 - 100% Sets the "degree" or "depth" of the distortion portion of the effect. Flange Balance (FLANGE BAL): 0 - 100% Determines the amount of flange effect applied to the distortion sound. Modulation Frequency (MOD. FRQ): 0.1 Hz — 20.0 Hz Sets the speed of modulation, and hence the rat...