Assessments - 3, GPA: 4
(
)
)
|
Facilidade de uso
All known issues are stored in a database searchable by product, category, keywords, or phrases. Under the section "My Stuff" you can login to check the status of your questions, download materials such as product manuals, software updates and new presets. This site has been specifically designed to meet the needs of our users. We constantly update the database and you will find the site to be a huge resource of information. Browse through Q&A's and discover new aspects of your TC product. If you can't find an answer online, you have the option of submitting a question to our technical support staff who will then reply to you by e-mail. The TC Support Team is on constant alert to help you in any way they can. Contact Details Alternatively, you may contact the TC Electronic distributor in your area, or write to: TC ELECTRONIC A/S USA: Customer Support TC Electronic, Inc. Sindalsvej 34 5706 Corsa Avenue, Suite 107 Risskov DK-8240 Westlake Village, CA 91362 Denmark © BY LYDKRAFT APS & TC ELECTRONIC A/S 2007. ALL PRODUCT AND COMPANY NAMES ARE TRADEMARKS OF THEIR RESPECTIVE OWNERS. LYDKRAFT IS A TRADEMARK OF LYDKRAFT APS. VST IS A TRADEMARK OF STEINBERG AG, AUDIO UNITS IS A TRADEMARK OF APPLE COMPUTER, INC. ALL SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE.ALL RIGHTS RESERVED. TC Electronic is a TC Group company. THIS SOFTWARE CONTAINS SIMULATION TECHNOLOGY DEVELOPED BY AND PROPRIETARY TO SOFTUBE AB OF SWEDEN AND IS PROTECTED BY PATENT SE25332 AND PENDING PATENTS US2004-0258250, EP1492081, JP2004-183976 EE NN GG LL II SS HH 2/ Tube-Tech CL 1B TABLE OF CONTENTS Contact & Support Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Table Of Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Foreword -by Frank Filipetti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 System Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 DSP Usage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Overview & parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Presets menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Default preset locations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 A/B compare function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Tube-Tech CL 1B/ 3 EE NN GG LL II SS HH Foreword -by Frank Filipetti As an engineer/producer I am constantly amazed by the sheer number of new (and vintage) equipment available to us. And yet, more often than not, I find myself returning to those few trusted pieces of gear that in a certain sense define our individual sound. One of those pieces that I would never want to be without is my Tube-Tech CL 1B. Sometime in the mid 80’s, I was contacted by John Petersen and offered a chance to play with a prototype of their first compressor – the CL 1A. I remember at the time being very impressed, but I had a few reservations and suggestions about the product. While not suggesting my recommendations led to the final CL 1B, I was very impressed to find that, not only was every one of my thoughts addressed, but a great deal more as well. Since the introduction of the CL 1B it has been an essential element in my recordings. While exhibiting the characteristic warmth of tube equipment, it is by no means soft or slow. The fixed and variable attack and release knobs as well as variable threshold and ratio give me all the flexibility left wanting in vintage compressor/limiters. With quick attack and release at a ratio of 1.5:1 or 2:1 it is my number one choice for vocal recording. With longer attack and release times at higher ratios I use it for everything from bass drum to acoustic guitar to piano to bass. In fact, about the only thing I don’t use it for is mix buss compression as that is handled by my indispensable Tube-Tech SMC 2B. Frank Filipetti. Biography: Frank Filipetti came to NY as a singer songwriter in 1971. Ten years, two publishing, and three record deals later, he decided to try his hand at engineering and production. He had his first number one single in 1983 with Foreigner’s “I Want To Know What Love Is”. Since then he has worked on projects with artists as varied as James Taylor, Kiss, Luciano Pavarotti, Courtney Love, Barbra Streisand, Dave Grusin, Korn, Carly Simon, Elton John, Mariah Carey, Rod Stewart, and Paul McCartney; on film soundtracks for directors Mike Nichols and Nora Ephron. In 1998 he won two personal Grammy’s for his engineering and production work on James Taylor’s “Hourglass”, and in 2000, 2004, and 2005 he won Grammy’s for his engineering and production work on the Orig...