Assessments - 2, GPA: 5
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Facilidade de uso
Connect the included power supply, power-up the microX, and with the VOLUME all the way down, connect the MAIN OUTPUTS (L/MONO and R) on the back panel to your mixer/amp/monitors/interface. You can also connect a 1/8” headphone jack to the front panel. 2. If you are using the microX as a sound source, or as a controller for another piece of gear, make sure that your MIDI IN/OUT cables are connected properly (IN to OUT, OUT to IN). 3. If you are using the microX with a computer, make sure that you’ve installed the USB MIDI Driver software as described in the manual, and the USB cable is plugged in. P PPl lla aay yyi iin nng ggt tth hhe eeD DDe eem mmo ooS SSo oon nng ggs ss 1. While holding the CATEGORY button, press the AUDITION button. “Demo Song Player” will be indicated in the display » Press the AUDITION button again, to start song playback » When finished, press AUDITION again to stop playback. 2. Turn the DATA wheel to advance to the next song, and press the AUDITION button to start/stop playback. 3. Press the EXIT/CANCEL button to exit demo song mode. U UUn nnd dde eer rrs sst tta aan nnd ddi iin nng ggt tth hhe eem mmi iic ccr rro ooX XX’ ’’s ssS SSt ttr rru uuc cct ttu uur rre ee There are two types of sounds in the microX: • PROGRAMS are individual sounds. • COMBINATIONS consist of up to eight Programs, layered and split across the keyboard. All of the sounds take advantage of the four REALTIME CONTROL knobs, the X/Y JOYSTICK, and the OCTAVE buttons. Programs have access to a polyphonic arpeggiator. In either COMBI or MULTI mode, you can use two polyphonic arpeggiators to create beats, bass lines, and lots of other motion to your sound. The microX is 16-part multitimbral. To have access to all these 16 sounds at once, use MULTI mode. This mode is especially useful for external MIDI control, such as using the microX as a sound source with an external sequencer. S SSe eel lle eec cct tti iin nng ggS SSo oou uun nnd dds ssa aan nnd ddA AAu uud ddi iit tti iio oon nni iin nng ggP PPr rro oog ggr rra aam mms ss 1. Let’s make some noise! Press one of the PROGRAM/COMBI BANK buttons, and then press the CATEGORY button. 2. To select a category, use the PROGRAM A-GM BANK or COMBINATION A-C BANK buttons. Specific categories are listed below each of these BANK buttons. • You can also use the PAGE-or PAGE+ buttons to scroll through categories. • Still not enough options? You can use ClickPoint too! Move once to the left (to highlight the category at the top of the screen), then press to click. Now you can move it in all directions. 3. To select a sound within a category, just use the DIAL or move ClickPoint up or down. 4. In PROGRAM mode, press the AUDITION button to hear an example of how that sound can be used! • Yes, the riffs are copyrighted, so you should probably avoid sampling them. • Only Programs can be auditioned. The AUDITION button is disabled in Combi mode. 2 microX EasyStart Note: ClickPoint is useful everywhere in the microX, not just at the Category screen. The basic rule of thumb (or finger, or whatever) is: Navigate to something you want to change, and click on it. Then, moving up or down will change the value. Click once again to go back to navigating. O OOc cct tta aav vve eeb bbu uut tttto oon nns ss, ,,X XX/ //Y YYJ JJo ooy yys sst tti iic cck kk, ,,K KKn nno oob bbs ss The sounds in the microX are voiced across an entire 88-key range, and they are very tweakable! Here’s how to make the most of them… 1. Use the OCTAVE buttons to quickly access the other octaves on the keyboard- there are often other sounds/drum samples hidden in various octave ranges! 2. The X/Y joystick is good for pitch bend, and also assignable modulation that differs from sound to sound-make sure you experiment to see what it does. 3. When set to the top row of functions, the knobs will control filter and envelope settings. 4. When set to the middle row of functions, the knobs are pre-assigned to perform useful functions for the sound you have selected. Try the knobs out with every sound! 5. When set to the bottom row of functions, the knobs will modify arpeggiator settings. • ARP-GATE will shorten the notes in the arpeggiators, making the sound more staccato, or “choppy.” • ARP-VELOCITY will alter the velocity of the notes used in the arpeggio pattern. This is very effective on sounds that use velocity switching to change from one sound to another. • ARP-LENGTH will shorten the arpeggiators. Twist it all the way counter-clockwise for a great kick roll on any dance combi! H HHe eer rre ee’ ’’s ssj jju uus sst tta aaf ffe eew wwg ggr rre eea aat ttm mmi iic ccr rro ooX XXS SSo oou uun nnd dds sst tto oot ttr rry yy… …… PROG/COMBI Name Performance Tips Program A000 Kombat The knobs are all-powerful for shaping sound… Try them on all three settings! Program A091 Deep’nDark Bass This is the real deal… Subwoofers beware. Knobs add color and delay. Program A091 Kanun & Zurna A gentle kanun strum on the left, an expressive z...