Assessments - 0, GPA: 0
(
)
)
|
por este dispositivo também tem outras instruções :
Sintetizadores piano / - P200 (10.77 mb)
Sintetizadores piano / - P200 (5.5 mb)
Facilidade de uso
(You cannot set the minimum number to exceed the maximum number.) CS RANGE MIN & 1#128 l FOOT CONTROLLER ASSIGN (see chart) For assigning a specific function to the foot controller (FC). (Default is sub volume.) FC ASSIGN ' total volume l FOOT CONTROLLER RANGE MINIMUM (1~128) / MAXIMUM (1~128) The values set here determine the minimum and maximum volume range when you press the [FC] controller. (You cannot set the minimum number to exceed the maximum number.) FC RANGE MIN ( 1#128 NOTE If you select Sys for CONTROL in the Performance Enable function (System menu), the controller assignment you have previously set for the currently selected Performance may actually be different, since the current setting (System setting) in the Voice Play mode will be active. You can change the System setting, and you can easily find which setting (Sys or Perf) is selected in the Performance Enable function, as the letter P will appear to the left of the page number if Perf is selected. NOTE The actual range (1 ~ 128) may actually be different depending on the selected function type. If the maximum range of the selected function is less than 128, the available range will be recognized and divided equally into 128 units, and the setting for Min/Max will be executed. 56 n Panel Switch (PS) n Panel Switch (PS) This gives you the flexibility to send Start, Stop or Continue commands to external devices like sequencers and rhythm programmers from the P-200’s panel, i.e., you can start and stop the external device simply by pressing the [PS] switches. l PS1 ASSIGN (Off, Start, Continue, Stop) When set to Off, the [PS1] will have no specific Play function. When set to Start, Continue or Stop, you can control an external MIDI device by pressing [PS1]. (The default setting for [PS1] is Start.) PS1 ASSIGN % start:FA l PS2 ASSIGN Same as for PS1 ASSIGN, above. (The default setting for [PS2] is Stop.) PS2 ASSIGN & stop:FC NOTE If you select Sys for CONTROL in the Performance Enable function (System menu), the Panel Switch assignment you have previously set for the currently selected Performance may actually be different, since the current setting (System setting) in the Voice Play mode will be active. You can change the System setting, and you can easily find which setting (Sys or Perf) is selected in the Performance Enable function, as the letter P will display to the left of the page number if Perf is selected. n Name The Name function lets you input a name (up to 16 characters in length) for your Performances. PERF.NAME % PERFORMANCE<***> l PERFORMANCE NAME The available characters include upper and lower case Roman letters, numbers 0 ~ 9, a space and various symbols. Position the cursor with the [1]/[q] buttons and choose the desired character with the [-1/NO]/[+1/YES] buttons or the [DATA ENTRY] slider. , !, ", #, $, %, &, ', (, ), (Space) *, +, ,, -, ., /, 0~ 9, :, ;, <, =, >, ?, @, A~ Z, [, , ], ^ , _, `, a~ z {, |, }, Y, . n Organ Combination The Organ Combination function lets you freely edit the Organ 1 voice. This feature gives you considerable control over the timbre and characteristics of the organ sound, so that the range of possibilities are practically limitless. With this feature you can literally recreate all of the classic organ sounds, from theatre organ to rock and jazz organ, by adjusting the flute footage levels and the attack settings, just like on conventional organs. To edit the organ sound, you must first select the Organ1 voice before entering Edit mode. Otherwise the CANNOT EDIT message will display when you select the Organ 1 Combination function in Edit mode. (If this happens, simply exit Edit mode, select the Organ 1 voice, and then reenter Edit mode.) l FOOTAGE (16’, 8’, 5-1/3’, 4’, 2-2/3’, 2’, 1-1/3’, 1’) There are eight flute footages. The larger footages generate the bass characteristics of the sound, the smaller footages generate the treble characteristics of the sound, and those footages in between generate the mid-range characteristics of the sound. You can adjust the volume level of each flute footage between 0 (no volume) and 7 (maximum volume). COMBI. 16'=7% 96794537 16' 8' 5-1/3' 4' 2-2/3' 2' 1-1/3' 1' NOTE When only the lowest or highest footage is activated, some notes which exceed the legal range will not produce any sound. l RESPONSE, ATTACK (4’, 2-2/3’, 2’, Length, Mode) The left-most parameter, RSP (Response) determines how fast the overall organ combination (footages in page 1) volume reaches maximum level, between a range of 0 (fastest) and 7 (slowest). COMBI. RESP.=7& RSP9 9955 i Response There are three Attack footages which determine the character of the percussive portion of the organ voice. You can adjust the volume level of each Attack footage between 0 (no volume) and 7 (maximum volume). Attack Footages Attack Length COMBI. LENG.=3& ATK9 9955 i COMBI. 4'=7& ATK9 9955 i 4' 2-2/3' 2' 57 The right-most parameter, Attack mode, determines which notes in a held cluster of notes are given...