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Recording — Precautions • The basic chord used for the accompaniment style is called the source chord. All chords that play and the pitches that sound are derived from the source chord. When recording the Main and Fill In sections (for a source chord of CM7), keep the following points in mind: * When recording to the Bass or Phrase channels, try to use only the recommended notes; this will ensure that you can play various chords with the accompaniment style and get optimum results. (Other notes may work, providing you use them as short passing tones.) * When recording to the Chord or Pad channels, use only the notes of the CM7 chord; this will ensure that you can play various chords with the accompaniment style and get optimum results. (Other notes may work, providing you use them as short passing tones.) The source chord is set by default to CM7; however, you can change this to any chord you prefer. Refer to the section “Making Style File Format Settings – Parameter” on page 116. • When recording Intro and Ending sections, you can ignore the source chord and use any notes or chord progressions you like. In this case, if you set the NTR parameter to “ROOT TRANSPOSE” and NTT to “HARMONIC MINOR” or “MELODIC MINOR” (in the PARAMETER page), the normal pitch conversions that would result from playing different chords are cancelled (for playback) — meaning that the accompaniment pitch conversion will only occur for changes in the root note or major/minor shifts. CR C C R C C = chord note C, R = recommended note Step Recording With this method, you can create a style pattern by entering notes and other data individually, without having to perform them in real time. The operations here apply to step 4 on page 109. I F J G H The actual recording process is the same as in Step Recording of songs (page 96), with the exception of the points described below. You can also edit each event from the Edit page, and the editing process the same as in editing songs (page 105). • In song recording, the end mark position can be changed freely. However, it cannot be changed when creating accompaniment styles. This is because the length of the accompaniment style is automatically fixed according to the selected section. For example, when creating an accompaniment style based on a four-measure section, the end mark position is automatically set to the end of the fourth measure, and cannot be changed from the Step Record screen. • When editing the data recorded on the Edit page, you can switch between the type of data you want to edit (event data or control data). Press the [F] (TRACK EVT) button to switch between the Event display (Note, Control Change, etc.) and the Control display (System Exclusive, etc.). Make sure to set the record channel from another display (e.g., BASIC display; page 109) beforehand. PSR-2000/1000 111 Creating Accompaniment Styles — Style Creator Assembling an Accompaniment Style —Assembly Creating Accompaniment Styles — Style Creator Assembling an Accompaniment Style —Assembly This convenient function lets you combine accompaniment elements — such as rhythm, bass, and chord patterns — from existing styles, and use them to create your own original accompaniment styles. The operations here apply to step 4 on page 109. I F J G H D A E B C 81 2 3 4 5 6 7 2 Selects the style section and channel that will be copied to the corresponding channels, selected with the [A]-[D] and [F]-[I] buttons above. Determines the playback settings for each channel. You can assemble the accompaniment style while the style section and channel that will be copied are playing. SOLO ............Mutes all but the selected channel. RHYTHM channels set to REC in the REC CHANNEL display (page 111) are played back simultaneously. ON ................Plays back the selected channels. Any channels set to ON in the REC CHANNEL display (page 110) are played back simultaneously. OFF ...............If the selected channel is set to ON in the REC CHANNEL display (page 110), OFF does not appear and is not available. 1 These let you select the accompaniment style that will be used for each channel of your original style. Select the desired channel by pressing the [A] – [D], [F] – [I] buttons and press the same button to call up the Style screen, from which you can select the accompaniment style. 3 After repeating steps 1 and 2 as desired, press the [J] (SAVE) button to save the assembled style data. From here, you can store the settings of all channels (RHYTHM 1, RHYTHM 2, BASS, etc.) to a single accompaniment style. If you change the section and channel in steps #1 and #2, the currently specified section and channel are also changed. The channels being recorded are also changed and recording is stopped automatically. The PLAY TYPE parameter affects only the playback, and does not change the actual accompaniment style data. 112 PSR-2000/1000 Creating Accompaniment Styles — Style Creator Edit the Created Accompaniment Style Creating Accompaniment Styl...
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