Just think, 11 pedals you’ll NEVER have to buy! Press the encoder momentarily to enter Edit mode (15). 2 - Amp Encoder Turn this knob to select your amp model. If the LIGHT IS RED you are on the HIGH GAIN CHANNEL. If the LIGHT IS GREEN you are on the LOW GAIN SETTING. Press and HOLD FOR 2 SECONDS to enter tuner mode. The LEDs around the Amp encoder will identify which note you are tuning (or the closest note). At the same time the LEDs around Effects encoder (3) will indicate whether the note

• Select the Overdrive channel. Set the Mod control to “Chorus,” the Delay control to “Slap,” and readjust the Reverb control to a different setting. (The DSP settings for the Clean channel are now saved to memory.) • Select the High Gain channel. Set the Mod control to “Phaser,” the Delay control to “Long,” and readjust the Reverb control once again. (The DSP settings for the Overdrive channel are now saved to memory.) • Reselect the Clean channel. (The DSP settings for the High Gain channel ar

PSM6P speakers provide exceptional sound quality in a rugged, compact package and are suitable for a wide variety of applications. Each PSM6P features an internal 50 watt power amplifier with gain, eq and level controls. 1/4” Input and Aux Out jacks allow for a variety of system configurations. (Some examples of their application are shown on page 6.) The moisture-resistant enclosures of the PSM6P are manufactured from a high-impact polymer to provide years of rugged use. They feature an integra

When a footswitch is connected here, the front panel channel select and effects loop switches are disabled. 26. AC LINE IN: This grounded power cord is to be plugged into a grounded power outlet, wired to current electric codes and compatible with voltage, power, and frequency requirements stated on the rear panel. Do not attempt to defeat the safety ground connection. 27. FUSE: This fuse protects the amplifier against damages caused by overload conditions in the unit. If the fuse fails, replace

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 The Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4,5 The Bottom Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 The DSPSection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Storing Your Own Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Restoring the

Louis, MO 63146, USA Production Facility: 700 Hwy 202 W, Yellville, AR 72687, USA Shipping Facility: 1400 Ferguson Ave., St. Louis, MO 63133, USA Office Facility: 1400 Ferguson Ave., St. Louis, MO 63133, USA Product Type: Audio Amplifier Complies with Standards: LVD: 92/31/EEC, 93/68/EEC, & 73/23/EWG Safety: EN60065 EMC: EN55013, EN55020, EN55022, EN61000-3-2, & EN61000-3-3 Supplementary information provided by your local Sales & Services Office or: SLM Electronics - R & D Engineering 1901 Congr

17: External Speaker. Use this jack to connect the amplifier to an external speaker cabinet. This jack is wired in series with the internal speakers which remain active when an external speaker is connected. 18: Feedback Filters Footswitch. Connect the three-button footswitch to this jack for remote control of the feedback filters. The Feedback Filters ON LED (#12, front panel) illuminates and the feedback circuit is activated when a footswitch is connected to this jack. Footswitch button #1 con

The gain control should be set so that the indicator flashes occasionally or does not light at all during normal playing. PRE-SHAPE CONTROL: This is a pre-EQ "master" tone control. With the control set at "12 o'clock", the signal will pass to the EQ section "flat” |with no modification of tone). As the control is turned clockwise, high frequencies will be boosted and as the control is turned counterclockwise, low frequencies will be boosted. This control can be used to "dial in" a general tone

Hum and buzz are kept to a minimum by using direct current (DC) to operate the preamp heaters. This method of heater power is used in most professional audio equipment using tubes. One circuit of the preamp uses the classic "passive" type tone controls which tend to produce a flatter sound than the newer feedback type as used in the second channel. Because the passive tone networks tend to be less effective than the feedback type, we have provided more of these type controls to allow better cont

When this switch is in the out position, the Main/Main 1 graphic EQ (#27) controls the signal to power amp #1, the output of which is connected to the Main Output jack (#44). Also, the Monitor/Main 2 graphic EQ (#22) controls the signal to power amp #2, the output of which is connected to the Monitor Output jack (#43). When this switch is depressed, the Main/Main 1 graphic EQ (#27) controls the signal to power amp #1, the output of which is connected to the Main 1 Speaker Output jacks (#46). Als