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Instruções de Operação Marshall Amplification, Modelo BASS STATE B 65

Fabricante : Marshall Amplification
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Though the above inputs were designed around the signal from an active bass and a passive bass guitar respectively, you should experiment to see which input best suits your style. Don’t worry, connecting your bass to the ‘wrong’ input will not harm your Bass-State™. 3. Gain Sets operating level of pre-amp. If you require a clean bass sound turn this control up until your bass just starts to distort and then back it off slightly. If on the other hand you would like a distorted sound, simply turn up the Gain control until the required amount of distortion is achieved. 4 Another tip, who want a distorted Passive Input. This will cause no sound you are looking 4. Bass Turning the Bass control will frequencies or bottom end in your Rotating this clockwise will increase the amount generally making your bass sound deeper. Turning this control anti-clockwise will reduce the bass your tone producing a reduction in bottom 5. Treble By adjusting the Treble control you can add or take away the higher frequencies in your bass tone. By increasing the amount of treble you will make your tone brighter, ideal for more percussive styles of playing. 6. Compressor The Compressor smoothes out your bass sound. As you increase the amount of compression, so you flatten out the peaks in the incoming signal. 7. Compressor Active LED Indicates when the Compression threshold is reached (i.e. when the compressor acts on the incoming signal). 8. 5 Band Graphic Equaliser To allow you to further tailor your sound, with the Graphic EQ it is possible to cut or boost 5 specific frequency bands fundamental to the projection and shaping of bass guitar tone. 9. Limiter Our latest SLS Limiter allows you to switch the built-in Limiter circuitry in or out. With the Limiter switched on you are ‘limiting’ the power amp to keep distortion to a minimum at high overall volume levels - without unduly affecting the amp’s natural tonal performance. At lower volume levels the Limiter will have no effect. 10. Volume Controls the overall volume of the B65. Effects Loop The effects loop is used for connecting an external effects processor or floor pedal. The effects loop on the Marshall B65 is sensitive enough to suit the output level of either type (processor or floor pedal) to ensure that a perfect match is made. 11. FX Send For connection to the input of an external effects processor or floor pedal. 12. FX Return For connection from the output of an effects processor or floor pedal. 13. Line Out The Line Out Jack can be used for connection to recording equipment for direct recording or for connection to a P.A. system. 14. Power Switch Switches the mains power to the combo On/Off. ACTIVE PASSIVE Input GAIN 0 10 +15 -15 +15 -15 COMP 0 10 -15dB 0 10 Active +15dB 0 100 Hz 250 Hz 500 Hz 1 KHz 2.5 KHz LIMITER VOLUME FX SEND FX RETURN LINE OUT E.Q. B65 BASS TREBLE Power POWER ON ACTIVE PASSIVE Input GAIN 0 10 +15 -15 +15 -15 COMP 0 10 -15dB 0 10 Active +15dB 0 100 Hz 250 Hz 500 Hz 1 KHz 2.5 KHz LIMITER VOLUME FX SEND FX RETURN LINE OUT E.Q. B65 BASS TREBLE Power POWER ON ACTIVE PASSIVE Input GAIN 0 10 +15 -15 +15 -15 COMP 0 10 -15dB 0 10 Active +15dB 0 100 Hz 250 Hz 500 Hz 1 KHz 2.5 KHz LIMITER VOLUME FX SEND FX RETURN LINE OUT E.Q. B65 BASS TREBLE Power POWER ON 0 10 0 10 0 10 0 10 Input E.Q. GAIN BASS MIDDLE TREBLE FX SEND FX RETURN LINE OUT HEAD PHONES B30 Power POWER ON 0 10 0 10 0 10 0 10 Input E.Q. GAIN BASS MIDDLE TREBLE FX SEND FX RETURN LINE OUT HEAD PHONES B30 Power POWER ON 0 10 0 10 0 10 0 10 Input E.Q. GAIN BASS MIDDLE TREBLE FX SEND FX RETURN LINE OUT HEAD PHONES B30 Power POWER ON ENGLISH 6 ENGLISH Suggested Settings Before we look at some suggested settings there are a couple of points that you should remember; 1- Taste in sound is a very personal thing. What might sound great to one bass player might not appeal to another bassist. Therefore these suggested settings may need some alterations to suit your own personal taste. 2- One of the main influences on your sound will be your bass. Each bass displays certain tonal characteristics, some for example will sound brighter than others while others may sound bassier. For this reason again you may find that these suggested settings need some alteration to give the required sound. Here then follows three simple settings for both the B30 and the B65 suitable for Slap, Fingers and Plectrum styles. We hope that these settings provide you with a useful starting point to develop your own killer bass tones. Plectrum Fingers Slap Plectrum Fingers Slap B30 B65 B150: 150 Watt Combo Front Panel Features 1. Active Input This input is designed to take the signal from an active bass. If your bass guitar is active plug in here. We recommend that you always use a high quality screened cable to help prevent noise, interference and unwanted feedback. 2. Passive Input This input is designed to take the signal from a passive bass. If your bass guitar is passive plug in here. We recommend that you always use a high qualit...

Este manual também é adequado para os modelos :
Instrumentos musicais - BASS STATE B 150 (2.08 mb)
Instrumentos musicais - BASS STATE B 30 (2.08 mb)

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