Assessments - 1, GPA: 3
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151). Once “Completed” has appeared in the display, stop the sequencer. After the data in the sequencer memory has been loaded, it can be played on the R-5 while synchronized with the sequencer. Have the Song Play screen showing on the R-5. Set the sequencer so that no Real-time Messages are output. * When the sequencer does not permit the setting in Step 2, set the Sync mode on the R-5 to “INTERNAL” (p. 134). Set the Exclusive Switch on the R-5 to “ON” (p. 150). Play the song or track on the sequencer, for which the bulk data dump was done, and load the performance data to the R-5. The Sync mode of the R-5 will automatically turn to “MIDI". Set so Real-time Messages can be output from the sequencer. [Step 6] When the song or track on the sequencer, in which is contained the performance data for use by an external MIDI sound module, is played, the R-5 will start play in sync with it. 1 .OUIJIICUUUil WiUl dll CAlClildi ¡Vlll_/| UCViL. # Recording into a sequencer in real-time the performance data of the R-5. The MIDI data transmitted by the R-5 during play can be recorded in real-time to a sequencer, and that performance data can then be organized and stored by the sequencer. The advantage to this is that unlike a Bulk Dump, the data can afterwards be edited on the sequencer. In addition, if you use Control Changes, the sound changes during performance can also be recorded. In order to get a faithful reproduction of the original performance, record the setup data (Sound Parameters, Note Numbers, and settings for Control Change) onto the sequencer as well, by doing a Bulk Dump of the “SETUP”. Recording setup data [Step 1] Set the Channel Message Switch (p. 148) to “ON”. [Step 2] Set the Note Numbers for all instruments used in the song to be recorded, (p. 143) Each instrument should be set to a different number. [Step 3] Set the Transmit channels for all instruments used in the song to be recorded (p. 142) so that they match the Receive channel of the Instrument Section, (p. 141) [Step 4] When you wish to record as well the sound changes of the Sequence Parameters, make setting for the Instrument Section’s Control Change, (p. 144) [Step 5] Using the same procedure as in [Recording Bulk Dump data], page 158, the Bulk Dump data is recorded. For the data to be transferred, specify “SETUP”and set the R-5’s Sync mode (p.134) to “INTERNAL”. When you already have sampler- or synthesizer-use data recorded in the sequencer, record the setup data as follows: [1] In order to record the setup data, you need to insert a number of measures that have no performance data at the beginning of each track. It takes about 5 seconds to transfer the setup data. You should allow some leeway in terms of time when choosing the number of measures to insert. [2] Record the setup data into the beginning portion of the tracks in which the R-5’s performance data is to be recorded. i 60 1.Connection with an external MIDI devic Recording performance data [Step 1] Set the R-5’s Sync mode to “INTERNAL”, and the sequencer to “MIDI”, (p. 134) [Step 2] Have the sequencer readied so that it will start recording from the measure coming after those where the setup data has been stored. [Step 3] On the R-5 select the song to be recorded. Then, hold down 1 SHIFT 1 while pressing | START/STOP |, and the performance data can be recorded onto the sequencer. Play using a sequencer [Step 1] Set the R-5’s Sync mode to “INTERNAL”; and the sequencer should also be set to an internal mode. (p. 134) [Step 2] Set the Exclusive Switch on the R-5 to “ON” (see p.150) [Step 3] When the sequencer is started, and the setup data is loaded, the MIDI data from the sequencer starts play of the R-5. 161 L. L^rcauuii ui nnyinm rauenii) 2. Creation of Rhythm Patterns Using open hi-hat for input of hi-hat Instead of the closed hi-hat, the open hi-hat can be used first for input to express sounds such as a half-open hi-hat. After input to the rhythm pattern has been made, the Decay of each note can then be edited using the Sequence Parameters (see p. 58) to reach a precise range of expression covering various hi-hat playing techniques. Using Roll during input of hi~hat When using Real-time Write, and inputting hi-hat for a 16 beat rhythm, rather than hitting the Pad Key 16 times, you can do it more easily by using Roll. After matching both the Interval for Roll and the setting for Quantize, hold down | ROLL 1 while pressing the hi-hat Pad Key. You can adjust the strength of the accent by changing the pressure you use in pressing the Pad Key. Inputting accents How accents are handled often is the key to making rhythm patterns that are full of expressive energy. What is first obvious in creating accents is to hit the Pad Key harder on certain beats during input. But you might try going further, and at the timing of the accents, raise the Pitch by 10 to 20 cents. The performance should then sound more realistic. Making a new ...