Assessments - 4, GPA: 4.3
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(Maximum value depends on the tempo setting) 2. For more information about the DELAY, NOTE, and TEMPO parameters, see “Setting Delay, Freq, Note & Tempo Parameters” on page 137. 01V—Owner’s Manual Effects Parameters 155 Effects Parameters 155 Delay and reverb effects in series. Parameter Range Description DELAY L 0.0–1000.0 ms Left channel delay time NOTE L *1 Used in conjunction with TEMPO to determine left channel DELAY L FB.GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) DELAY R 0.0–1000.0 ms Right channel delay time NOTE R *1 Used in conjunction with TEMPO to determine right channel DELAY R DLY HI 0.1–1.0 Delay high-frequency feedback ratio FB.DLY 0.0–1000.0 ms Feedback delay time NOTE FB *1 Used in conjunction with TEMPO to determine FB.DLY DLY BAL 0–100% Delay and delayed reverb balance (0% = delayed reverb, 100% = delay) REV TIME 0.3–99.9 s Reverb time INI.DLY 0.0–500.0 ms Initial delay before reverb begins REV HI 0.1–1.0 High-frequency reverb time ratio DENSITY 0–100% Reverb density HPF Thru, 21 Hz–8.0 kHz High-pass filter cutoff frequency LPF 50 Hz–16.0 kHz, Thru Low-pass filter cutoff frequency TEMPO*2 25–300 bps Used in conjunction with NOTE parameters to determine DELAY L, DELAY R, and FB.DLY 1. (Maximum value depends on the tempo setting) 2. For more information about the DELAY, NOTE, and TEMPO parameters, see “Setting Delay, Freq, Note & Tempo Parameters” on page 137. 01V—Owner’s Manual 156 Chapter 12—Effects 156 Chapter 12—Effects Distortion and delay effects in series. Parameter Range Description DST TYPE DST1, DST2, OVD1, OVD2, CRUNCH Distortion type (DST = distortion, OVD = overdrive) DRIVE 0–100 Distortion drive MASTER 0–100 Master volume TONE –10 to +10 Tone control N.GATE 0–20 Noise reduction DLY BAL 0–100% Distortion and delay balance (0% = distortion, 100% = delayed distortion) DELAY 0.0–2725.0 ms Delay time DLY NOTE *1 Used in conjunction with TEMPO to determine DELAY FB.GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI.RATIO 0.1–1.0 High-frequency feedback ratio FREQ. 0.05–40.00 Hz Modulation speed MOD NOTE *2 Used in conjunction with TEMPO to determine FREQ. DEPTH 0–100% Modulation depth TEMPO*3 25–300 bps Used in conjunction with NOTE parameters to determine DELAY and FREQ. 1. (Maximum value depends on the tempo setting) 2. 3. For more information about the DELAY, NOTE, and TEMPO parameters, see “Setting Delay, Freq, Note & Tempo Parameters” on page 137. MULTI FILTER Three-band parallel filter (24 dB/octave) Parameter Range Description TYPE 1 HPF, LPF, BPF Filter 1 type: low pass, high pass, band pass TYPE 2 HPF, LPF, BPF Filter 2 type: low pass, high pass, band pass TYPE 3 HPF, LPF, BPF Filter 3 type: low pass, high pass, band pass FREQ. 1 28 Hz–16.0 kHz Filter 1 frequency FREQ. 2 28 Hz–16.0 kHz Filter 2 frequency FREQ. 3 28 Hz–16.0 kHz Filter 3 frequency LEVEL 1 0–100 Filter 1 level LEVEL 2 0–100 Filter 2 level LEVEL 3 0–100 Filter 3 level RESO. 1 0–20 Filter 1 resonance RESO. 2 0–20 Filter 2 resonance RESO. 3 0–20 Filter 3 resonance 01V—Owner’s Manual Effects Parameters 157 Effects Parameters 157 Basic Sampler with 2.9 second memory. Parameter Range Description REC MODE MANUAL, INPUT In MANUAL mode, recording is started by pressing the [ENTER] button. In INPUT mode, recording is triggered by an input signal. START *1 Playback start point in milliseconds [SAMPLE] 0–131070 Playback start point in samples PLY MODE MOMENT, CONTI., INPUT In MOMENT mode, the sample plays for the moment that the [ENTER] button is pressed. In CONT. mode, playback continues once the [ENTER] button has been pressed. In INPUT mode, playback continues once it’s been triggered by an input signal. The number of times the sample plays is set using the LOOP NUM parameter. END *1 Playback end point in milliseconds [SAMPLE] 0–131070 Playback end point in samples LOOP NUM 0–100 Number of times the sample plays LOOP *1 Loop start point in milliseconds [SAMPLE] 0–131070 Loop start point in samples TRG LVL –60 to 0 dB Input trigger level (i.e., the signal level required to trigger recording or playback) TRG DLY –1000 to +1000 ms Recording delay. For plus values, recording starts after the trigger is received. For minus values, recording starts before the trigger is received. TRG MASK 0–1000 ms Once playback has been triggered, subsequent triggers are ignored for the duration of the TRG MASK time. MIDI TRG OFF, C1–C6, ALL Sample playback can be triggered using MIDI Note on/off messages. PITCH –12 to +12 semitones Playback pitch shift FINE –50 to +50 cents Playback pitch shift fine 1. 0.0–2972.1 ms (fs=44.1 kHz), 0.0 ms–2730.6 ms (fs=48 kHz) To record and playback a sample 1. Send a channel signal to Effect 2, and then recall the Freeze effect. See “Using the Effects” on page 123 and “Recalling Effects Programs” on page 134. 2. Use the [EFFECT 2] button to locate EFFECT 2 page 1, as shown be...