847 Holt Road Webster, NY 14580-9103 Phone: (716) 872-0010 Toll-Free: (800) 828-6308 Fax: (716) 872-0739 Internet: Gain (dB) Range Clip EQ HPF 6 - 15 In - Out In - Out 285 200 50 100 25 12 (Hz) Range Clip EQ HPF 6 - 15 In - Out In - Out 285 200 50 100 25 12 (Hz) Channel 2 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 VU Output Level +6 +3 0 -3 -6 -9 -12 -15 -18 -21 VU Power GQX Series Model 3102 Stereo Third Octave Graphic Equalizer +15 (+6) +10 +5 0 -5 -10 -15 (-6) Channel 1 +15 (+6) +10 +5 0 -5 -10 -15 (-6

Each output channel shall include: a routing stage allowing the user to assign the output to any or a combination of input(s); a high pass/ low pass crossover filter stage with selectable slopes of 12, 18, 24 and 48dB per octave using Linkwitz-Riley, Bessel or Butterworth filter configurations; four filter stages configurable to be a parametric filter with a frequency range of 19.7Hz to 21.9KHz, 1/24th octave step and a +15dB boost, -40dB cut, or a 6 or 12dB/octave high or low shelf filter; a de

Preset names must be 20 characters or less. While working in Protea NE Software, changes to an individual preset can be saved to the ne24.24M using , or saved to the PC using . Individual preset files use the extension (*.pne). Sub Presets: Instead of saving or recalling an entire preset affecting all functions, a sub-preset affecting only a sub-set of functions may be used. To save a sub-preset, check the boxed labelled

14580-9103 Tel. (716) 872-0010 Llame sin costo: (800) 828-6308 Fax: (716) 872-0739 Internet: Manual de Operacion Crossovers Electronicos XR1001, XR2001, y XR4001 Tabla de Contenido 1 INTRODUCCION .......................................................................................... 3 2 DESEMPACADO........................................................................................... 3 3 REQUERIMIENTOS DE AC.......................................................................... 4 4 CUB

6.2 Feedback Control A graphic equalizer can be used to provide some control over moderate feedback problems, but does not have enough flexibility or resolution to handle severe situations. You will achieve the best results when you can eliminate one or two feedback points by setting one or two sliders for no more than a 6dB cut. Often you can find a feedback point by boosting sliders in succession to determine which frequency ranges contain the feedback modes, and then cutting those ranges. Be

Ya que las lineas seudo-balanceadas no conducen una senal verdaderamente diferencial, poseen una impedancia de linea equivalente en ambas lineas (+) y (-). Esto permite que un cable largo sea conectado desde el crossover sin comprometer al rechazo de modo comun de ruido indeseado. Para contar con un headroom maximo, termine las salidas en cargas de 600 ohms o superiores. 6.5 Salida Monoaural de Graves Los modelos XR2001, y XR4001 de Ashly cuentan con un conector jack adicional marcado como MONO

with a 200 ohm microphone. These outputs would be used for making a pre2. Input Pad -The input pad is a 20dB output fader recording off of the stereo mix, or attenuation switch on the rear panel for use for stacking the MX-406 with another mixer. with the XLR microphone inputs. It should 7. Aux Master Output -The 1/4" jack aux master normally be left in the "out" position for best output is used to drive a monitor or zone signal to noise ratio and should only be used amplifier, effects processor

A conventional active balanced output would cause significant noise current resulting in more noise. Essentially, the servo-balanced output circuit behaves like a transformer balanced output because it maintains a constant level into balanced and unbalanced lines with a low differential impedance and a high common- mode impedance. The servo-balanced output also does not suffer from problems associated with output transformers such as low-frequency distortion, susceptibility to magnetic fields an

El nivel maximo de entrada es de +23dBu. La “U” marcada en la posicion de las 12:00 (directamente arriba) indica “ganancia unitaria” o “unity gain” de la seccion de entrada. Recomendamos colocar este control en “unity” y controlar los niveles del sistema ya sea en las etapas anteriores al crossover o con los controles de nivel de salida. 5.3 Frecuencia de Cruce Este control infinitamente variable le permite seleccionar un punto de cruce apropiado para sus altavoces. El girar esta perilla en el s

If low and high level or speaker cables must be run parallel and in close proximity to one another, they should be bundled separately. Operating Manual - LX-308B Stereo Line/Microphone Mixer 7. TYPICAL APPLICATIONS 7.1 Small Sound Reinforcement System: In the setup shown here, the LX-308B is used to mix typical sound sources that might be found in a small club, school theater or similar environment. INPUT channels 1 & 2 are used for microphones for live vocal or instrumental pickup. INPUT channe