As the input increases above threshold, the output takes the shape of the de-emphasis curve. When both pre and de-emphasis are switched out, the Model 722 works exactly like the Model 720. RCH DENSITY - adjusts RANGE - when switched the Relative Crest Height to the “.10” position it adds ach (RCH) of the output. a 10dB boost in the input The higher the RCH and a 10dB cut in the and of (clockwise) the louder the output. The PEAK CEILING output. The lower the is therefore 10dB lower nnel RCH (coun

Through the use of multiband techniques along with new proprietary circuits, the audibility of limiting action has been greatly reduced, especially when compared to conventional limiters. This means that greater limiting depth is possible, resulting in higher loudness with maintained audio quality. At virtually any limiting depth, the Dominator II is free of “hole punching”, “dullness”, and most other effects normally associated with limiters. As a peak overshoot protection limiter, the Dominato

20K . Unbalanced 10K . 10K . Nominal Level: +4dBu -10dBV (-7.8dBu) Maximum Level: +25dBu +13dBV (+15.2dBu) CMRR (typical): >90dB/100Hz; >70dB/1kHz; >50dB/20kHz same OUTPUT Connector: 3-pin XLR male and TRS 1/4” phone jack same Type: Transformerless, differential servo- balanced (may be used unbalanced) same Impedance: Balanced 65 . same Unbalanced 65 . same Nominal Level: +4dBu -10dBV (-7.8dBu) Maximum Level: Balanced +22dBu +8dBV (+10.2dBu) Unbalanced +20dBu +8dBV (+10.2dBu) AUDIO Frequency Res

Very soon, the magic of Aural Excitement was discovered by recording and touring artists all over the world. It didn't take long for competitors to elbow in, but they never created anything as good as a real Aural Exciter. In 1990, Aphex introduced the legendary Big Bottom® to balance out the benefits of the Aural Exciter. Big Bottom is now as sought after as Aural Excitement and is renown in its own right. As powerful as they are alone, the Aural Exciter and Big Bottom are doubly powerful when

If you’re looking for a tone that goes to “12” or “13” instead of “11”, then get Xcited. Michael Molenda “Guitar Player” 7/03 In blind tests, listeners picked the Xciter signal over dry direct guitar every time. “Fuller”, “richer”, “brighter”, “clearer”, “more alive” were adjectives used to describe the effect. The Acoustic Xciter also excels as a straight D.I. - its sound is round and full and seems to tame the piezo “quack” so many D.I.’s struggle with. Mick Gallagher “EQ Magazine” 7/03 Fe

It's not just boost. The effect protects speakers while it extends their bass producing capability. For acoustic instruments it “brings out the box“. In other words, it adds a warmer tone that makes the instrument sound bigger and fuller. For guitars, it gives you another dimension of expression at the lower end of the scale. It's not a synthesizer of any kind. It takes what is there and enhances it intelligently. Look What the Reviewers are Saying! ...this pedal is amazing. It would be worth

Because, to be very plain spoken, l have never used a single piece of gear that made this much difference in the overall sound of a system, and it will be hard to write about it without sounding like an Aphex shill. So please understand going in that Aphex did not write the review or influence it. They got the same fact check opportunity as any other company, but noth ing else. We even returned the gear in just 72 hours-far less time than we usually take. No money or gear changed hands, and at t

Leading Aphex Technology The Compellor circuits are totally unique. By throwing away all conventional design ideas, we created audio processing with unprecedented sound transparency, yet is exceedingly effective at controlling levels. Because our designs are patented, no other company has been able to match the performance. Algorithms like our exclusive “DVG”, “DRC”, and “FDL” have yet to find any rivals. Unmatched Reliability Aphex engineering and manufacturing produces products that last and l

Our incredible new 2 channel Model 1100 gives you up to 20dB more headroom than conventional preamps, allowing you to record hotter tracks with the highest possible digital resolution. This unprecedented amount of headroom, combined with an EIN of -135dB, allows you to take more gain without the pain of overload distortion or noise. MORE GAIN-NO PAIN To achieve this amazing performance, we developed new proprietary circuitry - here's a taste... • Discrete Class A Bipolar PNP Solid State Fron

Various devices can be used to create the core circuit that controls the gain of the compressor in response to a control signal. Each type of device has its own advantages and disadvantages. Every available technology has produced popular compressors over the years. However, one of the most beloved types of compressors is the “optical compressor”. An optical compressor is created from the combination of a light sensitive resistor called a photocell, and a controllable light source such as a sma