The WR-4 will also allow control of the output channel volume using the two lower keys. To select an input audio source, simply press one of the six corresponding input select keys. Multiple input sources may be assigned to a single select key, and also multiple selected keys may be engaged at a given time. Select keys that are currently engaged will have their corresponding LED lit. To deselect an input source, simply press the corresponding key again. To change the output volume, simply scroll

An 45 watts RMS per channel into 8 ohm loads and 60 watts RMS per channel into 4 input jack on the front panel shall be provided for connection of stereo head- ohms. When switched into Bridged-Mono mode, the amplifier shall deliver a total phones. A separate attenuator control for each channel shall also be located on the of 120 watts RMS into 8 ohms. The amplifier shall be immune to damage from front panel. There shall be status L.E.D.’s for each channel on the front panel of shorted, open, or

Individual bands shall be activated by linear slide faders with a 25mm travel , and a tactile center detent. The range of equalization per band shall be either ±6dB or ±15dB selected via a 2-position switch. The equalizer shall have a gain of unity with all sliders centered, and shall have a maximum in/out level of +23dBu. Frequency response shall be ±.25dB 20Hz to 20kHz. Hum and noise shall be at least -92dBu and SMPTE intermodulation distortion or THD shall be less than .01% at full output. In

Each output permits you to set your crossover frequencies and may be assigned to any one or a combination of inputs. Additionally, you can program four filters (each of them your choice of parametric, low or high shelf), control delay for time delay adjustments, adjust output gain, reverse polarity and control a compressor/limiter for speaker protection. All this in one rack space with XLR input and output connections. Three Inputs - Six Outputs Extremely Intuitive User Interface Programmable b

When switched into bridged-mono mode, the amplifier it shall deliver at least 370 watts into a 16 ohm load, and 550 watts RMS into an 8 ohm load. The amplifier shall be immune to damage from shorted, open, or mismatched loads. The amplifier shall have a gain of 29 dB +/- .2dB per channel and an input sensitivity of 1.3 Volts +/-2% for full rated output. Frequency response shall be 20Hz to 20kHz +/- .2dB. It shall be stable into any load, including pure capacitors and inductors. Hum and noise sha

When switched into bridged-mono mode, the amplifier it shall deliver at least 600 watts into a 16 ohm load, and 950 watts RMS into an 8 ohm load. The amplifier shall be immune to damage from shorted, open, or mismatched loads. The amplifier shall have a gain of 29 dB +/- .2dB per channel and an input sensitivity of 1.7 Volts +/-2% for full rated output. Frequency response shall be 20Hz to 20kHz +/- .2dB. It shall be stable into any load, including pure capacitors and inductors. Hum and noise sha

When switched into bridged-mono mode, the amplifier it shall deliver at least 2400 watts into an 8 ohm load. The amplifier shall be immune to damage from shorted, open, or mismatched loads. The amplifier shall have a gain of 38 dB per channel and an input sensitivity of 1 Volt RMS for full rated output. Frequency response shall be 20Hz to 20kHz +/- .2dB. It shall be stable into any load, including pure capacitors and inductors. Hum and noise shall be at least 105dB below full output and total ha

Output Mute switches on each channel are included for convenient and accurate setup operation, and a peak overload indicator monitors all critical points in the circuit to ensure low-distortion operation. A recessed switch on the front panel with an LED indicator allows for either normal or "divide by ten" frequency selection. The XR Series II models feature Ashly's exclusive "Response" control, allowing the user to select the best performance for a given application. The purpose of this contro

.¡ t* EiiiiiliHil miiliUiUf liiiilS Si At Ashly, we believe that engineers should never have to compromise their standards for the sake of miniaturization. So we proudly offer the MQX Series equalizers, which feature all the performance and great sound of our legendary GQX models in uniquely compact packages. The MQX Series uses the same precision filter design and summing circuitry as the gQx Series, with each filter exhibiting true constant "Q" response. The center-detented position of each

It shall have a detector patch point allowing for the connection of an external equalizer in the detector loop to produce frequency selective limiting; or allows the connection of an external microphone source to produce voice-over-compression. It shall have front panel mounted switches for engaging/defeating the compressor/limiter functions. It shall have front panel switches for selecting input or output meter display. It shall have both XLR and 1/4” connectors on inputs and outputs. Performan