I have always believed that the most important aspect of a musician's choice of amplification is the fundamental tone it produces. Truly experienced electric guitar players, and I have known a few, will look for an amplifier that will enable them to express themselves with comfortable ease. Music is a language like any other and serves to communicate the artists feel and emotion to their audience. A guitarist is capable of translating a universe of subtle nuances, dynamics, aggression, restraint

As my company has grown, over the years I have come into contact with literally thousands of different types of musicians from all over the world. Though Marshall Amplification is known primarily as a manufacturer of guitar amplification, we successfully answered the pleas of the professional bass players with whom I had come into contact, by releasing our critically acclaimed Dynamic Bass Systems. As part of our long term commitment to bass amplification the same team that designed the acclaime

£89, £109 Amp giant Marshall celebrates its 40th birthday by dishing out the presents - in this case three amps for the tone-hungry but budget-conscious guitarist by Nick Guppy M arshall's new MG series was launched earlier this year as part of the company's 40th anniversary celebrations, and is aimed at players on a budget who don’t want to sacrifice tone. We’ve already looked at two of the larger models, the MG50 and MG 100 combos, now we cast our eyes and ears over the 15W practice models

Low impedance XLR input -For the connection of low impedance microphones. 2. High impedance Jack input -For the connection of high impedance microphones. Also suitable for acoustic instruments with transducer type pick-ups. 3-5. Bass, Middle and Treble EQ controls- A wide range of tonal adjustment can be selected using combinations of these controls. 6. Monitor level -Provides the volume level adjustment from the channel to the monitor section. 7. Effects Level -Provides level adjustment of the

bass, mid and treble, master volume and presence ADDITIONAL FEATURES: Series effects loop with level and bypass switch OPTIONS: None RANGE OPTIONS: 1959 SLP head (£999), 1987X head (£804), 1962 'Bluesbreaker' combo (£1.038), JTM45 head (£784), 2203ZW Zakk Wylde signature model (£1,023) Marshall Amplification Marshall 2203 JCM800 reissue head For those about to rock, we salute the return of Marshall’s master volume monster amp It’s an ill wind that blows nobody any good, as the saying goes.

The Marshall R&D team has worked relentlessly to produce a bass range that truly captures the essence of the Marshall sound. Scoping the entire bass playing spectrum from beginner to professional, the MB Series delivers everything from gain, worthy of the greatest rock player, to the purest crystal clean tones. The clean thump of the Modern channel and the dirty roar of the Classic channel, every MB amp features two channels. Taking the sound of the Classic channel even further, the MB60 and abo

In addition to talent, dedication and a lot of hard work, you also need equipment that does exactly what you ask of it. Over the years I have witnessed many advances in amplifier technology and I wanted this MG series to take full advantage of such innovations. These solid-state amplifiers had to meet the tonal expectations of the modem guitarist whilst also incorporating new and exciting digital technology. With this goal firmly in mind, I set my experienced R&D team the task of designing a ne

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It’s the same circuit found on the larger MG amps and highly effective, letting you go from an all-out American scooped -i MARSHALL MG15CD COMBO PRICE: £69 ORIGIN: UK TYPE: Solid-state, twin channel OUTPUT: 15 watts RMS DIMENSIONS: 380(h) x 375 (w)x 205(d) WEIGHT: (kg/lb) 7.2/15 CABINET: 15mm particle board LOUDSPEAKER: Single eight-inch Marshall MG CHANNELS: Two CONTROLS: Clean channel volume, gain, overdrive volume, bass, contour and treble. Lead channel select switch, FDD on/off COVER

In the case of the Acoustic Soloist, much time and research has gone into making the sound as natural as possible. As all of my designers are also guitarists, they fully understand the needs of the player and bring their expertise to bear on all our products. You can also rest assured that every Marshall amplifier has been designed and engineered to the highest possible standards, so as a result will stand the test of time and constant use. I strongly suggest that you read this handbook carefull